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At any rate it testifies to a belief that the grove had been from early times a common place of worship for many of the oldest cities of the country, if not for the whole Latin confederacy. Artemis and Hippolytus
The manner of his death suggests readily enough a reason for the exclusion of horses from the grove; but this by itself seems hardly enough to account for the identification. We must try to probe deeper by examining the worship as well as the legend or myth of Hippolytus.
In the earlier studies Hippolytus had been done with a more pagan suggestion; but in each successive drawing the glorious figure bad been deflowered of something of its serene unconsciousness, until, in the canvas under the skylight, he appeared a very Christian knight.
There are an enormous number of inscriptions, a few sculptures comparatively, a great many architectural fragments, and an infinity of small objects. Among the sculptures two or three, sarcophagi may be specially noted. One with the subject of Hippolytus and Phædra, found in the narthex of the little basilica at Salona in 1859, in a fifth-century stratum, is a late copy of one in the Louvre.
I expected 'Casabianca' or the modern equivalent, but instead I got the song from Hippolytus, 'O take me to the Mountains, O. It was rather surprising, but when he invited me to go with him to his home, which is next door, it was more surprising still. Instead of finding another small villa like Hillview with a breakneck stair and poky little rooms, I found a real old cottage.
Helen, the queen of ancient song, is the offspring of this thought; Phaedra in another way is its offspring too. But as Virgil had degraded Helen, so Seneca degrades Phaedra. Her love for Hippolytus is the coarse sensual craving of a common-place adulteress. The language in which it is painted, stripped of its ornament, is revolting.
It is not a "slice" out of the eighteenth century there can be no real "slice out of life" excepting in life itself. It is the original pagan assertion of life, which finds its opposite in Euripides' conception of the ascetic Hippolytus; an assertion which Propertius repeated in the language of mockery when he speaks of a lena as "Docta vel Hippolytum Veneri mollire negantem."
But Trivia the bountiful hides Hippolytus in a secret habitation, and sends him away to the nymph Egeria and the woodland's keeping, where, solitary in Italian forests, he should spend an inglorious life, and have Virbius for his altered name.
It seems a forced and unnatural position to suppose that the disciples would go to one set of authorities and the master to another, and equally unnatural to think that a later critic, like Hippolytus, would confine himself to the works of these disciples and that in none of the passages in which quotations are introduced he has gone to the fountain head.
So here was my predicament: I knew that within myself was a Golconda of memories of other lives, yet I was unable to do more than flit like a madman through those memories. I had my Golconda but could not mine it. I remembered the case of Stainton Moses, the clergyman who had been possessed by the personalities of St. Hippolytus, Plotinus, Athenodorus, and of that friend of Erasmus named Grocyn.
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