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It is inevitable that when such a one speaks, his tones, his accent, the melodies of his rhythm, the inner harmonies of his linked thoughts, the grace of his allusive touch, should escape the common ear. To follow Milton one should at least have tasted the same training through which he put himself. "Te quoque dignum finge deo." The many cannot see it, and complain that the poet is too learned.
"Aude, hospes, contemnere opes, et te quoque dignum Finge Deo . . . " For my part, I am lost in the admiration of it. I contemn the world when I think on it, and myself when I translate it.
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