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We entered this fine city by the gate of Nice, and passing through the elegant Piazza di San Carlo, took up our quarters at the Bona Fama, which stands at one corner of the great square, called La Piazza Castel.
Some scholarly studies of researchers such as Stephen LeRoy and Richard Porter offer support other, no less weighty, scholarship by the likes of Eugene Fama, Kenneth French, James Poterba, Allan Kleidon, and William Schwert negate it mainly by attacking Shiller's underlying assumptions and simplifications.
Cf. note, 87: affectavere. Plerumque. Often; a limited sense of the word peculiar to post-Augustan Latin. Cf. G. 13: ipsa plerumque fama bella profligant; and Freund ad v. Quae expressa==quorum succus expressus, etc. In tantum. To such a degree. Frequent only in late Latin. A servitute.
Now the habit of asking for the facts of the case must deliver men more or less from that evil spirit which the old Romans called "Fama;" from her whom Virgil described in the AEneid as the ugliest, the falsest, and the cruellest of monsters.
That's a subject you may respect yet as much as I do; but regarding my opinion of the two beauties in question, why was it solicited, Mr. Hycy?" he added, turning to that worthy gentlemen. "Faith, I'm not able to say, most learned Philomath; only, is it true that Bryan, the clodhopper, has matrimonial designs upon the fair daughter of the regal Cavanagh?" "Sic vult fama, Mr.
Deinde a paucis initio facto, Deum, Deo natum, regem parentemque urbis Romanae, salvere universi Romulum jubent; pacem precibus exposcunt, uti volens propitius suam semper sospitet progeniem. Fuisse credo tum quoque aliquos, qui discerptum regem Patrum manibus taciti arguerent; manavit enim haec quoque, et perobscura, fama. Illam alteram admiratio viri, et pavor praesens nobilitavit.
"Fama malum," &c., &c. of Virgil, did, certainly, precede us with great velocity, but with beneficial effects; for the women came forth to meet us, and looking up in our faces, found out our eyes were beautiful, and our noses better moulded than their own, and called us handsome "Ingerleesh;" and the men, grasping us by the wrists, said we were brave and "goot Ingerleesh."
But, fired by ambition, Bernardo left Pesaro for Venice, in order to see his poem through the press of Aldus Manutius; and being not only welcomed with open arms by his literary friends in that city, but also appointed secretary of the great Venetian Academy "Della Fama," with a handsome salary, he sent for his son, took a house in a good situation, and resolved to settle down in the place.
Fama est perpetuos illinc se erumpere fontes, Florigerum Ladona, et lubrica vitra Selemni, Crathidaque, imbriferamque Lycaeis vallibus Hagno, Et gelidam Panopin et Peirenen lacrymosam, Illinc et rapido amnes fluere et mare magnum.
In 1598 his name is mentioned as one of the better-known writers of comedies, by Francis Meres, in his 'Palladis Tamia. His first successful comedy was, 'Every Man in his Humour. Fama says that the manuscript which the author had sent in to the Lord Chamberlain's Company, was on the point of being rejected when Shakspere requested to have the play given to him, read it, and caused its being acted on the stage.
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