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More than race to the Roman; more than power to the statesman; yet helpless beside the grave, "Non, Torquate, genus, non te facundia, non te, Restitvet pietas." Nay, also what it stands for as an attribute, not only of men, but of gods; nor of those only as merciful, but also as avenging. Against AEneas himself, Dido invokes the waves of the Tyrrhene Sea, "si quid pia numina possunt."

By the goddess Facundia, what volumes of words issued from that little mouth! and on all subjects too! church, state, law, politics, play-houses, lampoons, lace, liveries, kings, queens, /roturiers/, beggars, you would have thought, had you heard her, so vast was her confusion of all things, that chaos had come again. Our royal host did not escape her.

He had, eminently, that gift which the Romans called facundia and the French can translate, if with a slight degradation of meaning, by faconde; but for which we, though the adjective "facund" has, one believes, been tried, possess no noun, "Eloquence" being too much specified to "fine" writing or speaking. "Facility of expression" perhaps comes nearest.

"Segnius irritant animos demissa per aurem Quam quae sunt occulis subjecta fidelibus. "For he says, immediately after, "Non tamen intus Digna, geri promes in scenam, Multaque tolles Ex occulis, quae mox narret facundia praesens. "Among which 'many, he recounts some, "Nec pueros coram populo MEDEA trucidet, Aut in avem PROGNE mutetur, CADMUS in anguem, &c.

By the goddess Facundia, what volumes of words issued from that little mouth! and on all subjects too! church, state, law, politics, play-houses, lampoons, lace, liveries, kings, queens, roturiers, beggars, you would have thought, had you heard her, so vast was her confusion of all things, that chaos had come again. Our royal host did not escape her.

He had been fellow of Pembroke, Cambridge, and after the Restoration he built a chapel for his old college, in which he was buried upon his death in 1667. He spent a great deal of money in repairing the palace at Ely, which was much dilapidated. He died in 1675. He is described on his monument as being "facundia amabilis, acumine terribilis, eruditione auctissimus."

It is first necessary to consider, Why, probably, the compositions of the Ancients, especially in their serious Plays were after this manner? And this, the judicious HORACE clearly speaks of, in his Arte Poetica; where he says Non tamen intus Digna geri, promes in scenam: multaque tolles Ex oculis, quae mox narret facundia praesens.

Mox rex vel princeps, prout aetas cuique, prout nobilitas, prout decus bellorum, prout facundia est, audiuntur, auctoritate suadendi magis, quam jubendi potestate. Si displicuit sententia, fremitu aspernantur; sin placuit, frameas concutiunt. Honoratissimum assensus genus est, armis laudare. XII. Licet apud concilium accusare quoque et discrimen capitis intendere.

It is impossible for the Reader's Imagination to multiply twenty Men into such prodigious Multitudes, or to fancy that two or three hundred thousand Soldiers are fighting in a Room of forty or fifty Yards in Compass. Incidents of such a Nature should be told, not represented. 'Non tamen intus Digna geri promes in scenam: multaque tolles Ex oculis, qua mox narret facundia proesens. Hor.