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Ecce Deus fortior me, qui veniens dominabitur mihi!" The god, this chaste and formidable archangel Amor, is the true subject of these poets' adoration; the woman into whom he descends by a mystic miracle of beauty and of virtue becomes henceforward invested with somewhat of his awful radiance.

A moment longer he meditated and then he said with much solemnity: "My son, have you no declaration to make?" "Yes, sir," said M. Abbe Coignard, with a firm voice, "I forgive my murderer." Then the priest gave him the holy wafer: "Ecce Agnus Dei, qui tollit peccata mundi." My good master replied with a sigh: "May I speak to my Lord, I who am naught but dust and ashes?

B. Nos. 4, 5, 6, 8, 9, 10, 11, 14, 16, 18, of the Little Passion, on copper, are all of them noteworthy successes of more or less the same kind; and in these, too, we come upon that racy sense for narration which can enhance dramatic import by emphasising some seemingly trivial circumstance, as in the gouty stiffness of one of Christ's scourgers in the Flagellation, or the abnormal ugliness of the man who with such perfect gravity holds the basin while Pilate washes his hands: while in the Crown of Thorns and Descent into Hades we have peculiarly fine and suitable black and white patterns, and in the Peter and John at the Beautiful Gate and the Ecce Homo figures of monumental dignity in tiny gems of glowing engraver's work.

Ecce Homo, Hypatia, Mr Jowett, were all in the bosom of the future when In Memoriam was written. Now, The Mystic and the Supposed Confessions are prior to In Memoriam, earlier than 1830. In these things he was original. Even as an undergraduate he was not following "a train of thought made familiar" by authors who had not yet written a line, and by books which had not yet been published.

But Bill Edgerton, in the meanwhile, popped in, and after that I could hear nothing but pictures and paintings, Madonnas, Ecce Homos, and the like; till I began to fancy that I smelt nothing but paint and varnish. So I popped out, with a pretty blunt excuse, leaving the two amateurs to talk in oil and water-colors, and settle the principles of art as they please.

The poets put what they would say with greater emphasis and grace; witness these two epigrams: "Alcon hesterno signum Jovis attigit: ille, Quamvis marmoreus, vim patitur medici. Ecce hodie, jussus transferri ex aeede vetusta, Effertur, quamvis sit Deus atque lapis." and the other: "Lotus nobiscum est, hilaris coenavit; et idem Inventus mane est mortuus Andragoras.

It is possible I may have put others, who can command more time than I, in a condition to take up the subject where for the present I leave it. You say my picture suffers by my method. But Ecce Homo is not a picture: it is the very opposite of a picture; it is an analysis. It may be, you will answer, that the title suggests a picture.

Hake’s best work is that, I think, contained in the volume called ‘New Symbols,’ in which there is disclosed an extraordinary variety of poetic power. In execution, too, he is at his best in that volume. Christina Rossetti has often told me that ‘Ecce Homo’ impressed her more profoundly than did any other poem of her own time. Also its daring startled her.

Six pictures from his hand hang to-day in the Pitti, a Holy Family , the beautiful Deposition , an Ecce Homo in fresco , the Marriage of St. Catherine, painted in 1512 , a St. Mark, painted in 1514 , and Christ and the Four Evangelists, painted in 1516 . The unpleasing "Madonna appearing to St. Bernard," painted in 1506, now in the Accademia, was his first work after he became a friar.

But that which did more than anything else to bring renown and fame to Lucas, was a large sheet in which he represented the Crucifixion of Jesus Christ; with another wherein Pilate is showing Him to the people, saying, "Ecce Homo!"