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The world became critical: the marquises, and the précieuses, and recently the bourgeois, who were sore from Sganarelle, ou Le Cocu Imaginaire, were up in arms; and the rival theatre maliciously raised the halloo, flattering themselves that the comic genius of their dreaded rival would be extinguished by the ludicrous convulsed hiccough to which Molière was liable in his tragic tones, but which he adroitly managed in his comic parts.
With what fervour the poet feels her neglect! with what eagerness he defends her from the animadversions of the friend who would have dissolved the spell! The poet was doomed to endure more poignant sorrows than slights. Mademoiselle had the art of persuading Molière that he was only his own "cocu imaginaire;" but these domestic embarrassments multiplied.
Domestic jealousy is a passion which admits of a great diversity of subjects, from the tragic or the pathetic, to the absurd and the ludicrous. We have them all in Molière. Molière often was himself "Le Cocu Imaginaire;" he had been in the position of the guardian in L'Ecole des Maris.
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