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Philippa de Stokes and Clementia de Guildeford were infirm, and Clementia's successor, Alicia de Wynterseshull, was poisoned soon after her election, but no evidence could be produced to convict the murderer. Many episcopal visitations took place during the fourteenth, fifteenth, and sixteenth centuries.

Whether Shakespeare could or could not have written these reflections, without having read Seneca's De Clementia, whether, if he could not conceive the ideas "out of his own head," he might not hear Seneca's words translated in a sermon, or in conversation, or read them cited in an English book, each reader must decide for himself.

The first was a Hercules that has just killed the Hydra, six braccia in height, in the round and overlaid with silver, which was placed at that corner of the Piazza di S. Felice that is at the end of the Via Maggio, with the following inscription in letters of silver on the base: UT HERCULES LABORE ET ÆRUMNIS MONSTRA EDOMUIT, ITA CÆSAR VIRTUTE ET CLEMENTIA, HOSTIBUS VICTIS SEU PLACATIS, PACEM ORBI TERRARUM ET QUIETEM RESTITUIT. Two others were colossal figures eight braccia high, one representing the River Bagrada, which was resting upon the skin of the serpent that was brought to Rome, and the other representing the Ebro, with the horn of Amaltheia in one hand and in the other the helm of a ship; both coloured in imitation of bronze, with inscriptions on the bases; below the Ebro, HIBERUS EX HISPANIA, and below the other, BAGRADAS EX AFRICA. The fourth was a statue five braccia in height, on the Canto de' Medici, representing Peace, who had in one hand an olive branch and in the other a lighted torch, with which she was setting fire to a pile of arms heaped up on the base on which she was placed; with the following words: FIAT PAX IN VIRTUTE TUA. He did not finish, as he had hoped to do, the horse seven braccia in length that was set up on the Piazza di S. Trinita, upon which was to be placed the statue of the Emperor in armour, because Tasso the wood-carver, who was much his friend, did not show any promptitude in executing the base and the other things in the way of wood-carving that were to be included in the work, being a man who let time slip through his fingers in arguing and jesting; and there was only just time to cover the horse alone with tin-foil laid upon the still fresh clay.

Ad conciones galeata processit, cum limbo purpureo, gemmis dependentibus per ultimam fimbriam media etiam cyclade veluti fibula muliebri astricta, brachio saepe nudo. Vox clara et virilis; severitas, ubi necessitas postulabat, tyrannorum; bonorum principum clementia, ubi pietas requirebat. Larga prudenter, conservatrix thesaurorum ultra faemineum modum.

Vico owes its prosperity in the first instance to the patronage ofCarlo il Zoppo,” Charles the Dwarf, the lame son and heir of King Charles of Anjou, who founded a settlement and built a villa upon the site of the ancient Roman colony; and it was in the old royal demesne of the Angevins that the hand of the deformed king’s daughter, the Princess Clementia, was demanded formally in marriage by the French monarch, Philip the Bold, who sought to marry her to his third son, Charles of Valois.

Fortunam citius reperias quam retineas. Cravissima est probi hominis iracundia. Homo totiens moritur, quotiens amittit suos. Homo vitae commodatus, non donatus est. Humanitatis optima est certatio. Iucundum nil est, nisi quod reficit varietas. Malum est consilium quod mutari non potest. Minus saepe pecces, si scias quod nescias. Perpetuo vincit qui utitur clementia.

Paulus, i, 4, 4; Mater, quae filiorum suorum rebus intervenit, actione negotiorum gestorum et ipsis et eorum tutoribus tenebitur. Ulpian in Dig., 25, 3, 5. For Livia's great influence over Augustus see Seneca, de Clementia, i, 9, 6. Tacitus, Annals, i, 3, 4, and 5, and ii, 34. Dio, 55, 14-21, and 56, 47. Agrippina dominated Claudius Tacitus, Annals, xii, 37. Dio, 60, 33.

The possible danger of losing her opportunity to become Queen of France proved, however, beyond the ambitious young lady’s powers of endurance, and to the horror of her haughty mother and the delight of the foreign emissaries, the Princess Clementia then and there doffed her silken robes and appeared before all in the historic garb of Lady Godiva.

Calvin always had a taste for printing, and now at his own expense he translated the "De Clementia" of Seneca into French and had the book printed, dedicating it to the king. This was his brief for clemency and at the same time an argument for free speech. Seneca's father had a college of oratory, and Seneca said: "Let the people talk.

Nam clementia, justitia, benignitas, fides, fortitudo in periculis communibus, jucunda est auditu in laudationibus. Omnes enim hae virtutes non tam ipsis, qui eas in se habent, quam generi hominum fructuosae putantur.