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The windows of the houses surrounding these corrales, with the adjoining rooms, formed aposentos which were rented to individuals and which were entered from the houses themselves. At the end farthest from the entrance of the corral was the stage, which was raised above the level of the ground and covered by a roof.
In the light of the recent information cited above, we know also that Lope's career immediately after 1587 was quite different from what his contemporary Montalvan had led the world long to believe.
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