United States or Tunisia ? Vote for the TOP Country of the Week !


Whatever feast is celebrated in the church, she is solicitous to attend: Monday, she is at the Ponte dell' Ammiraglio praying for the Souls of the Beheaded; Wednesday, you find her at San Giuseppe keeping the festival of the Madonna della Providenza; every Friday she goes to San Francesco di Paola, reciting by the way her accustomed beads; and if one Saturday pass when she ought to go to the Madonna dei Cappuccini, another does not; and there she prays with a devotion which none can understand who has not experienced it.

Certain internal changes and rebuildings have occurred, but its façades on the Piazzetta and lagoon, the Giants' Stairs, the courtyard, were then as now. But before that time constant structural modification was in progress. The original palace ran beside the Rio del Palazzo from S. Mark's towers to the Ponte di Paglia, with a wing along the lagoon.

A new bridge was immediately built, only to be destroyed in the same way on 1st January 1644. In 1660 the present Ponte di Mezzo was finished by Francesco Nave of Rome. It was on these bridges that the great Pisan game the Giuoco del Ponte was played, a model of which may be found in the Museo.

He was easy in his mind about her happiness but he felt ousted from the first place in her thoughts which had been his ever since the girl could speak. A melancholy regret of the days of his childhood settled upon Captain D'Hubert, third aide-de-camp to the Prince of Ponte Corvo. He threw aside the letter of congratulation he had begun to write as in duty bound, but without enthusiasm.

Detached north after Jena, with the army commanded by Marshal Bernadotte, Prince of Ponte Corvo, they entered Lubeck together. It was only after the occupation of that town that Captain Feraud found leisure to consider his future conduct in view of the fact that Captain D'Hubert had been given the position of third aide-de-camp to the marshal.

Bassano is the birthplace of the painter Jacopo da Ponte, who was one of the first Italian painters to treat scriptural story as accessory to mere landscape, and who had a peculiar fondness for painting Entrances into the Ark, for in these he could indulge without stint the taste for pairing-off early acquired from observation of local customs in his native town.

But in the year 1536, festive preparations of a grand and sumptuous kind being arranged by Antonio da San Gallo for the coming of the Emperor Charles V, in which, as has been related in another place, all the craftsmen, good and bad, were employed, Raffaello da Montelupo, who had to execute the decorations of the Ponte S. Angelo with the ten statues that were placed upon it, having seen that Battista was a young man of good parts and a finished draughtsman, resolved to bring it about that he also should be employed, and by hook or by crook to have some work given to him to do.

These are very pretty little bits of manufacture; but there seems to have been no infusion of fresh fancy into the work, and the specimens present little variety. It is the characteristic commodity of the place; the central mart and manufacturing locality being on the Ponte Vecchio, from end to end of which they are displayed in cases; but there are other mosaic shops scattered about the town.

But here he was, lounging on the Ponte Vecchio at Florence, whither he had come with the intention of rubbing up his former studies, and of perhaps getting back to put them in practice at New York ultimately.

As he continued his talk with the young Dovizi, he had an uncomfortable undercurrent of consciousness which told him that Tessa had seen him and would certainly follow him: there was no escaping her along this direct road by the Arno, and over the Ponte Rubaconte.