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Thus Boccaccio in his marvelous portraiture of the social life of his time has casually handed down to us invaluable facts about vocal and instrumental music. There is no question that Ambros is fully justified in his conclusion that the cantori a liuto were a well-marked class of musicians.
My dear, the walks and talks and fires and music and dinners " "And duets," Cherry said, with her old fresh laugh. "Don't forget 'tu canta rio sul tuo liuto! and 'Oh, wert thou in the cauld, cauld blast!" "Oh, Cherry, how utterly delicious it is!"
The illmu, or Bermudiana bulbosa, produces bulbous roots, which are excellent food either boiled or roasted, and are very pleasant in soups. The liuto produces a bulbous root, which yields a very white, light, and nutritious flour, which is much used as food for the sick.
At this point it is not essential that we should satisfy ourselves that the solo songs of Caccini were descendants of the lyrics of the cantori a liuto, for when the two species are placed in juxtaposition the lineage is almost unmistakable.
Doubtless Casella, who was born in 1300 and set to music Dante's sonnet "Amor che nella mente," was one of the cantori a liuto. Minuccio d'Arezzo, mentioned by Boccaccio, was another. Here again we must recur to the observations of Burney and the examinations of Ambros. The former records that in the Vatican there is a poem by Lemmo of Pistoja, with the note "Casella diede il suono."
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