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The moment had not come to bring up her name to David Cairns, who, since his talk with Beth, had of course nothing to offer. So Bedient revolved in outer darkness.... The morning after Hedda Gabler he found a very good chestnut saddle-mare in an up-town stable, and rode for an hour or two in the Park, returning to the Club after eleven. At the office, he was told that Mrs.

In Hedda Gabler Ibsen returned, for the last time, but with concentrated vigor, to the prosaic ideal of his central period. He never succeeded in being more objective in drama, he never kept more closely to the bare facts of nature nor rejected more vigorously the ornaments of romance and rhetoric than in this amazing play.

If she had been a robust egoist, and realised her nature to the full, she would have been a Hedda Gabler "reversed," in a word, the Hilda Wangel of The Master Builder. But with Mildred she lacked the strength either to renounce or to sin. And Undine Spragg hadn't the courage to become downright wicked; the game she played was so pitiful that it wasn't worth the poor little tallow-dip.

Hedda Gabler was constitutionally fated to suicide: a woman of low vitality, overmastering egoism, and acute supersensitiveness, placed in a predicament which left her nothing to expect from life but tedium and humiliation. The one case left that of Hedvig is the only one in which Ibsen can possibly be accused of wanton bloodshed.

John Gabriel Borkman dies of heart seizure, resulting from sudden exposure to extreme cold. In the case of Solness and Borkman, death is a quite natural and probable result of the antecedent conditions; and in the case of Eyolf, it is not a way out of the action, but rather the way into it. There remain the three cases of suicide: Rebecca and Rosmer, Hedda Gabler, and Hedvig.

The attempt to show that Hedda Gabler "proved" anything was annoying to Ibsen, who said, with more than his customary firmness, "It was not my purpose to deal with what people call problems in this play. What I chiefly tried to do was to paint human beings, human emotions and human fate, against a background of some of the conditions and laws of society as it exists to-day."

It was a broiling hot day, and we could not find the horses anywhere till we let Tedda Gabler, the bobtailed mare who throws up the dirt with her big hooves exactly as a tedder throws hay, have her head. Clever as she is, she tipped the coupe over in a hidden brook before she came out on a ledge of rock where all the horses had gathered, and were switching flies.

Among them are: Samfundets Stötter, "The Pillars of Society," Et Dukkehjem, "A Doll's House," Gengangere, "Ghosts," En Folkefiende, "An Enemy of the People," Rosmerholm, Fruenn fra Havet, "The Lady from the Sea," Little Eyolf, Bymester Solnes, "Masterbuilder Solnes," John Gabriel Borkman, and the latest and most-talked-about, Hedda Gabler. His works are more national in tone.

The Oedipus is as clearly divided into acts as is Hamlet or Hedda Gabler. In modern parlance, we should probably call it a play in five acts and an epilogue.

In a more intellectual degree Eiljert, her first admirer, is her counterpart. Both could have consorted with Emma Bovary and found her "ideals" sympathetic. Emil Reich has called Hedda Gabler the tragedy of mésalliance. It is a memorial phrase. George Tesman and Charles Bovary are brothers in misfortune. They belong to those husbands "predestined" to betrayal, as Balzac puts it.