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"At least," she added, correcting herself, "I was quite sure of it for a little while. Then I did not believe it all. If I had believed it quite, they should never have betrothed me to Jacopo Contarini!" The name recalled all realities to Zorzi, though she spoke it very carelessly, almost with scorn. Zorzi sighed and looked up at last, and stared at the wall opposite.

Some one bade the secretary read the accusation, and Zorzi listened with wonder and disgust to Giovanni's long epistle, mentally noting the points which he might answer, and realising that if the law was to be interpreted literally, he had undoubtedly rendered himself liable to some penalty.

The workmen in the elder Beroviero's house knew well enough that Zorzi was a better artist than they, and they had no mind to let him outdo them at their own furnace. "Will any one of you gentlemen allow me to use his place?" asked Zorzi civilly. Not a man answered. In the sullen silence the busy hands moved with quick skill, the furnace roared, the glowing glass grew in ever-changing shapes.

"No," she answered, coldly enough. "I am not angry I am only sorry." "But I am glad that I would not answer your question," returned Zorzi. "I doubt whether you had any answer to give," retorted Marietta with a touch of scorn. Zorzi's brows contracted sharply and he made a movement to go on. So her proffered friendship was worth no more than that, he thought.

She would go over to the glass-house and sit in the garden, by the rose he had planted, and now and then she would go into the close furnace room where he worked with her father, or Zorzi would come out for something; she should be near him, she should see his face and hear his quiet voice, and she would say to herself: He loves me, he loves me as often as she chose, knowing that it was true.

I had a room in the top of the Palazzo da Mula on the Grand Canal just above the Salute and within a step of the traghetto of San Giglio. By going out of the rear door and keeping close to the wall of the houses skirting the Fondamenta San Zorzi, I could reach the traghetto without getting wet. The Quadri was the nearest caffe, anyhow, and so I started.

If they were true artists, if I could trust their taste, they should have had my secrets long ago. But they are mere money-makers, and it is better that they should enrich themselves with the tasteless rubbish they make in their furnaces, than degrade our art by cheapening what should be rare and costly. Am I right?" "Indeed you are!" Zorzi now spoke in a tone of real conviction.

Zorzi sat on a low bench, blackened with age, against the whitewashed wall of a small and dimly lighted room, which was little more than a cell, but was in reality the place where prisoners waited immediately before being taken into the presence of the Ten.

That is the only work for which I ever took money, except from the master himself." "Why did the Greek captain Aristarchi beat the Governor's men, and carry you away?" asked another of the Chiefs. Zorzi was not surprised that the name of his rescuer should be known, for the Ten were believed to possess universal intelligence. "I do not know," he answered quite simply.

Moreover, I entreat your Magnificence to send a force by night, in order that there may be no scandal, to take the said Zorzi, called the Ballarin, and to bind him, and carry him to Venice, that he may be tried for his monstrous crimes, and be questioned, even with torture, as to others which he has certainly committed, and be exiled from all the dominions of the Republic for ever on pain of being hanged, that in this way our laws may be maintained and our privileges preserved.