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"Amidst these tragical events, of one person nearly murdered, of another answerable for the issue, of a worthy governor hurt in his dearest interests, the fate of America in suspense; here is a man, who, with the utmost insensibility of remorse, stands up and avows himself the author of all. I can compare it only to Zanga, in Dr. Young's "Revenge";
One fellow in particular, when civilly directed by the overseer to change the position of a stone, gave him a look of deadly malignity when his back was turned, which reminded me strongly of the look of Kemble in Zanga, while pronouncing the emphatic "Indeed!"
Kemble's acting seemed to him too studied and over-labored; he had the disadvantage of a voice lacking rich bass tones. Whatever he did was judiciously conceived and perfectly executed; it satisfied the head, but rarely touched the heart. Only in the part of Zanga was the young critic completely overpowered by his acting, Kemble seemed to have forgotten himself.
His lordship's patronage, he says, will not let him "repent his passion for the stage;" and the particular praise bestowed on Othello and Oroonoko looks as if some such character as Zanga was even then in contemplation.
Amidst these tragical events, of one person nearly murdered, of another answerable for the issue, of a worthy governor hurt in his dearest interests, the fate of America in suspense, here is a man who, with the utmost insensibility of remorse, stands up and avows himself the author of all. I can compare it only to Zanga, in Dr. Young's 'Revenge.
Kemble's acting seemed to him too studied and over-labored; he had the disadvantage of a voice lacking rich, base tones. Whatever he did was judiciously conceived and perfectly executed; it satisfied the head, but rarely touched the heart. Only in the part of Zanga was the young critic completely overpowered by his acting, Kemble seemed to have forgotten himself.
Born for your use, as Zanga says, I live but to oblige you, and as soon as I become unprofitable to you, I shall feel then the most sensibly, how imprudently I have acted, and how unjustly I have been dealt with. I have, as I have told you before, not had yet the courage to look upon that ledger, where I saw once so fair an account, and where I must now make myself so many rasures.
Fladgate, "father of the Garrick," who was then aged 86. The veteran displayed astonishing resources of memory and talked most instructively about the actors of the Kemble period. He declared John Philip Kemble to have been the greatest of actors, and said that his best impersonations were Penruddock, Zanga, and Coriolanus. Mrs.
Issued by the Club, June 4, 1827. Zanga in The Revenge, Act I. Sc. 1. Nimrod, a staghound. Anecdotes of Cranbourne Chase, etc., by Chafin. 8vo, London, 1818. Mr. Lockhart says, "I am sorry Sir Walter never redeemed his promise to make it the subject of an article in the Quarterly Review." See Life, vol. vii. pp. 43-44.
It was said, that, whenever he died in Romeo, Pierre, or Zanga, numbers of his fair slain were borne out of the playhouse, to be revived with difficulty by the application of salts and the severing of stay-lacings. But his effects, though so positive, were superficial and evanescent, audible, visible, and, as it were, physical.
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