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Yourii gave another frightened glance at his sister, and met her sad eyes. In confusion he turned to Schafroff, and said hastily: "Have you read Charles Bradlaugh?" "Yes, we read some of his works with Dubova, and Sina Karsavina. Most interesting." "Yes. Oh! have they come back?" "Yes." "Since when?" asked Yourii, hiding his emotion. "Since the day before yesterday."

"Don't I attend these lectures?" she exclaimed, as, bending down to Yourii, she held out her hand. He gladly grasped it without speaking, and leaning lightly on him she sprang from the platform. He felt her sweet, wholesome breath close to his face. "It is time to begin," said Schafroff, who came in from the adjoining room.

When he first touched the canvas with colour, producing a harmonious and pleasing effect, he felt a thrill of delight, and the picture that was to be stood clearly before him with all its details. As, however, the work progressed, so technical difficulties became more numerous, and with these Yourii felt unable to cope.

"I had no wish to offend you, and only expressed my candid opinion. It is the same opinion that you have of me, and that Von Deitz has of both of us, and so on. It is only natural." Sanine spoke in such a frank, friendly way that to show further displeasure would have been absurd. Yourii was silent, and Von Deitz, being still concerned on his behalf, again rattled his spurs and breathed hard.

The moon still shone brightly, and ever the black shadow followed in their wake. "My constitution's done for!" said Semenoff suddenly in quite a different voice, thin and querulous. "If you knew how I dread dying.... Especially on such a bright, soft night as this," he continued plaintively, turning to Yourii his ugly haggard face and glittering eyes. "Everything lives, and I must die.

His mood was now of one tranquil sadness, and he felt impelled to gaze at the moon. As he crossed a white deserted square he suddenly thought of Sanine. "What sort of man is that?" he asked himself. Annoyed to think that there was a man whom he, Yourii, could not instantly define, he felt a certain malicious pleasure in disparaging him. "A phrase-maker, that's all he is!

Novikoff sighed, and sat down on the sofa. He liked to be quiet and think matters over. He only came to see Yourii because, at home, by himself, he was sad and worried. Lida's refusal still distressed him, and he could not be sure if he felt grieved or humiliated. As a straightforward, indolent fellow, he had so far heard nothing of the local gossip concerning Lida and Sarudine.

All around seemed dark and deserted, and Yourii fancied that now the garden's own life was about to begin, a life mysterious and to all unknown. Yonder, amid the trees and across the dew-laden grass strange shadows soon would steal, as the dusk deepened, and voices whispered in green, silent places. This he said to Sina, and her dark eyes wistfully peered into the gloom.

On this occasion also, if jocular at the outset, Yourii relapsed into his usual tone; discoursing at great length about his own life.

"It's not the same thing at all," was Ivanoff's stubborn retort, and his eyes flashed angrily. "It's the act of an idiot, that's what it is!" His strange hatred of Soloveitchik made a most unpleasant impression upon the others. Sina Karsavina, as she got up to go, whispered to Yourii, "I am going. He is simply detestable." Yourii nodded. "Utterly brutal," he murmured.