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The cortége enters one of the gate-towers of the old city-walls, passes beneath the shade of its ponderous copper-clad portals, and soon arrives at the main entrance of the Yamashiro yashiki. Here they find the street in front and the stone walk covered with matting, and a friend of Taro's, in full dress, waiting to receive the cortége.

The Chronicles add that, in A.D. 604, when the Empress Suiko occupied the throne, two schools of painters were established, namely, the Kibumi and the Yamashiro. It is elsewhere explained that the business of those artists was to paint Buddhist pictures, the special task of the Kibumi men being to illuminate scrolls of the Sutras.

To that end it was necessary to remove the Shotoku family, against which, as shown above, the Soga had also a special grudge. Not even the form of devising a protest was observed. Orders were simply issued to a military force that the Shotoku house should be extirpated. Its representative was Prince Yamashiro, the same who had effaced himself so magnanimously at the time of Jomei's accession.

One purpose which their language serves is to prove how widely they once spread over the country now Japan, where place-names alone remain to indicate a former Aino population. Some of these are unmistakeably Aino, as Yamashiro, which must have meant "land of chestnut trees," and Shikyu, "place of rushes."

Five years ago a long wall of diamond-shaped tiles laid in white cement extended round the spacious grounds of the homestead of the Yamashiro family. Inside were fish-ponds, mimic hills, miniature mountain-scenery, dense flower-bushes, dwarfed arboreal wonders, solemn shade trees and a garden laid out according to the very best Japanese style.

It must have been fully apparent to the great captains of the fourteenth century that Kyoto was easy to take and hard to hold. Lake Biwa and the river Yodo are natural bulwarks of Yamato, not of Yamashiro. Hiei-zan looks down on the lake, and Kyoto lies on the great plain at the foot of the hill.

His office of o-omi was conferred on his son, Emishi, who behaved with even greater arrogance and arbitrariness than his father had shown. The Empress Suiko died in 628, and the question of the accession at once became acute. Two princes were eligible; Tamura, grandson of the Emperor Bidatsu, and Yamashiro, son of Shotoku Taishi. Prince Yamashiro was a calm, virtuous, and faithful man.

The fine old yashiki of Yamashiro, with its porter's lodge, stone path, entrance-porch, vestibule and the family homestead, was within.

The service began at twenty minutes to seven in the morning, by our reckoning of time. After the governor of the province of Yamashiro had ascertained that everything was in readiness, the officials of the Jin-Gi-Kuan arranged the offerings on the tables and below them, according to the rank of the shrines for which they were intended.

The go-between and a few friends of the bridegroom come out to receive the bride and deliver her to her own servant and two of her own young maiden friends, who had gone before to the Yamashiro mansion. The room in which the families of the bride and groom and their immediate friends are waiting, though guiltless of "furniture," as all Japanese rooms are, is yet resplendent with gilt-paper screens, bronzes, tiny lacquered tables and the Japanese nuptial emblems. On the wall hang three pictured scrolls of the gods of Long Life, of Wealth and of Happiness. On a little low table stands a dwarf pine tree, bifurcated, and beneath it are an old man and an old woman. Long life, a green old age, changeless constancy of love and the union of two hearts are symbolized by this evergreen. In the tokonoma (or large raised recess) of the room are the preparations for the feast, the wine-service consisting of kettles, decanters and cups. On two other tables are a pair of white storks and a fringed tortoise. All through the rooms gorgeously painted wax candles burn. The air of the apartment is heavy with perfume from the censer, a representation in bronze of an ancient hero riding upon a bullock. All the guests are seated