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She describes the creation of the world and sky by Bor's sons; the building by the Gods of a citadel in Ida-plain, and their age of innocence till three giant-maids brought greed of gold; the creation of the dwarfs; the creation of the first man and woman out of two trees by Odin, Hoeni and Lodur; the world-ash and the spring beside it where dwell the three Norns who order the fates of men.
The World-Ash, generally called Yggdrasil's Ash, is one of the most interesting survivals of tree-worship. Thence come three maids, all-knowing, from the hall that stands under the tree"; and as a sign of the approaching doom she says: "Yggdrasil's ash trembles as it stands; the old tree groans."
Wotan himself, when the danger is no longer to be averted of a dishonoured end, if Alberich, that is, shall regain possession of the Ring, will plunge the splinters of his defeated spear deep into Loge's breast and himself set the World-Ash ablaze. As night begins to yield to dawn, confusion falls on the minds of the Norns; their visions, they complain, are dim.
It was the groping expression of imagination without which we are no better than the beasts and would never find the really spiritual for which we still seek. The most perfect descendant of this sun tree was the world-ash of the Scandinavian mythology, the "Yggsdrasil" of the Edda, in which it is described, with the many mystic rites which grew up about its worship.
The world-ash was a gigantic evergreen in whose branches were the abodes of giants and dwarfs as well as men and gods. Screened by night within the forest this tree may well be near with the springs of being and non-being within its roots and the Nornen sitting by, silent and grave.
She describes Walvater returning home from his wanderings with his broken spear, the erection around the Hall of the Blessed of the funeral pile cut from the World-Ash, the assembling about Wotan's throne of the gods and heroes. "There he sits, speaks no word, the splinters of the spear clenched in his hand. Fear and amazement bind the gods.
Waftures of Walhalla most commonly accompany his steps; the close of his speech is frequently marked by the sturdy motif of his spear, the spear inseparable from him, cut by him from the World-Ash, carved with runes establishing the bindingness of compacts, by aid of which he had conquered the world, subdued the giants, the Nibelungs, and Loge, the Spirit of Fire.
This he carved with runes of truth to compacts, and held it as the "haft of the world." An intrepid hero clove it asunder. Wotan thereupon commanded the heroes of Walhalla to hew down the World-Ash and cut it to pieces. "High looms the castle built by giants," sings the youngest of the Norns; "there in the hall sits Wotan amid the holy clan of the gods and heroes.
The same is true of others of the gods; in the old Norse mythology Ygdrasil was the great branching World-Ash, abode of the soul of the universe; the Peepul or Bo-tree in India is very sacred and must on no account be cut down, seeing that gods and spirits dwell among its branches.
Wooden billets heaped to a lofty pile surround the room. That was once the World-Ash! When the wood shall burn hot and clear, when the flame shall devour the shining hall, the day of the end of the gods shall have dawned!"
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