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Warmell here disappears from mortal view, like one of those stage trapdoor vanishings of Mephisto only Mephisto usually comes back, but Warmell never did. Reynolds was very happy at Hudson's studio. He was only seventeen years old when he arrived there, fresh from the country.

Joshua thought about it, talked with his brothers and sisters about it, and surprised his mother by asking her if she knew that there was soon to be a distinct school of British Art. About this time there came to the village a strolling artist by the name of Warmell. This man opened up a studio on the porch of the tavern and offered to make your picture while you wait.

Craunch got back home he threw away the one made by Warmell. Once at an exhibition Joshua met Alexander Pope, whom he had seen several times at Hudson's studio. Pope remembered him and shook hands. Joshua was so inflated by the honor that he hastened home to write a letter to his mother and tell her all about it.

Joshua struck up quite a friendship with this man and was taught all the tricks of the trade even to the warning that in drawing the portrait of a homely man it is not good policy to make a really homely picture. The best-paying pewholder in the Reverend Samuel Reynolds' church was a Mr. Craunch, whose picture had been made by the joint efforts of the strolling artist Warmell and young Reynolds.

The next week he took the lad up to London and entered him as a pupil with the great Hudson, who could not paint much of a picture himself, but for a consideration was willing to show others how. Rumor has it that Warmell got a certain sum in English gold for all pupils he sent to Hudson's studio, but I take no stock in such insinuations.

Warmell felt sure that after a few months, with his help, young Reynolds could get the technique and the color-scheme, and a' that, and the firm of Warmell and Reynolds could open a studio in Plymouth or Portsmouth and secure many good orders. Craunch listened with patience and advised with the boy's parents.

'T was a very beautiful picture, although it is not on record that Mr. Craunch was a handsome man. Warmell refused to take pay for Craunch's picture, claiming that he felt it was pay enough to have the honor of such a great man sitting to him. This remark proved to Craunch that Warmell was a discerning person and they were very soon on intimate terms of friendship. Mr. Craunch gave Mr.

Warmell orders to paint pictures of the Craunch family. One day Warmell called the great man's attention to the fact that young Reynolds, his volunteer assistant, had ambitions in an art way that could not be gratified unless some great and good man stepped in and played the part of a Mæcenas.