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Fortunately for the Moros, who were making ready to fight to the tune of the "Riego Hymn," a tumult intervened. All of a sudden, the orchestra stopped playing and the musicians made a rush for the stage, throwing their instruments in all directions. The brave Villardo was not expecting such a move, and, taking them for allies of the Moros he also threw down his sword and shield and began to run.

In order not to disturb the general tranquillity, Don Filipo said not a word about the matter to any one. After a piece of light opera, which was heartily applauded, the Prince Villardo presented himself on the stage, and challenged all the Moros, who had imprisoned his father, to a fight. The hero threatened to cut off all their heads at a single blow and to send them all to the moon.

The gobernadorcillo was very fond of the theatre, and, with the advice of the curate, he had selected for the fiesta the fantastic comedy: "Prince Villardo, or the Nails Pulled Out of the Infamous Cave," a play full of magic and fireworks. From time to time the bells ring out their merry sounds. Firecrackers and the booming of little cannon rend the air.

"Fool!" rejoined a bystander, nudging him with his elbow. "It's the Prince Villardo that we saw at the show last night!" So the alcalde went up several degrees in the popular estimation by becoming an enchanted prince, a vanquisher of giants.

After the selection of vaudeville, which was loudly applauded, the Prince Villardo presented himself, challenging to mortal combat the Moros who held his father prisoner. The hero threatened to cut off all their heads at a single stroke and send them to the moon, but fortunately for the Moros, who were disposing themselves for the combat, a tumult arose.

The orchestra suddenly ceased playing, threw their instruments away, and jumped up on the stage. The valiant Villardo, not expecting them and taking them for allies of the Moros, dropped his sword and shield, and started to run. The Moros, seeing that such a doughty Christian was fleeing, did not consider it improper to imitate him.

But since the Tondo artist have begun to fight every fifteen seconds, with two clowns, and even greater marvels than before, they have put to rout their provincial compeers. The gobernadorcillo was very fond of this sort of thing, so, with the approval of the curate, he chose a spectacle with magic and fireworks, entitled, "The Prince Villardo or the Captives Rescued from the Infamous Cave."

There was Chananay dressed as Leonor in Il Trovatore, talking in the language of the markets to Ratia in the costume of a schoolmaster; Yeyeng, wrapped in a silk shawl, was clinging to the Prince Villardo; while Balbino and the Moros were exerting themselves to console the more or less injured musicians. Several Spaniards went from group to group haranguing every one they met.

It was a poor musician. The stage was filled with the players and people of the town and they were all talking at the same time. There was Chananay, dressed in the costume of Leonor in the "Trovador," talking in corrupted Spanish with Ratia, who was in a school teacher's costume. There too, was Yeyeng, dressed in a silk wrapper, talking with the Prince Villardo.