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Proceeding next to the inaccessible tirtha called Vedi, one obtaineth the merit of the horse-sacrifice and ascendeth to heaven. Then, O Bharata, should one proceed to Rishikulya and Vasishtha. By visiting the latter, all orders attain to Brahmanhood.
"And be it mine to muse there, mine to glide From day-break when the mountain pales his fire, Yet more and more, and from the mountain top, Till then invisible, a smoke ascends, Solemn and slow." "Vedi Napoli! e poi muori!" Memory! beloved memory! to us thou art as hope to other men. The present solitary, unexciting where are its charms?
There is a saying of Neapolitan patriotism, intended for the information of foreigners, I presume: "See Naples and then die." Vedi Napoli e poi mori. It is a saying of excessive vanity, and everything excessive was abhorrent to the nice moderation of the poor Count. Yet, as I was seeing him off at the railway station, I thought he was behaving with singular fidelity to its conceited spirit.
O son of the Kuru race, proceeding next to the well called Kindatta, he that throweth into it a measure of sesame, is freed from all his debts and obtaineth his success. Bathing in the tirtha called Vedi, one obtaineth the merit of the gift of a thousand kine. There are two other celebrated tirthas called Ahas and Sudina. Bathing there, O tiger among men, one goeth to the region of the Sun.
E cosí stando, essendo Rustico, piú che mai, nel suo disidero acceso, per lo vederla cosí bella, venue la resurrezion della carne; la quale riguardando Alibech, e maravigliatasti, disse: Rustico, quella che cosa è, che io ti veggio, che cosí si pigne in fuori, e non l' ho io? O figliuola mia, disse Rustico, questo è il diavolo, di che io t'ho parlato, e vedi tu ora: egli mi d
The sons of Pandu then, O king of the Bharata race, accompanied by those Brahmanas, proceeded to the tirtha called Vedi, sacred to the Creator and adored by the ascetics. Residing there for some time and gratifying the Brahmanas with the fruit and roots of the wilderness and clarified butter, those heroes began to practise ascetic penances of great merit.
I couldn't believe my ears! . . . But for his stupid ferocity, it would have taken me years to find you out. It's extraordinary how in one way or another this man has managed to fasten himself on my deeper feelings." "Vedi Napoli e poi mori."
Not at the end of the book. She remembered that his signature had been followed by others, although she had not seen, or tried to see, what he had written. Perhaps his name was near Tolstoy's. They had read together Tolstoy's Vedi Napoli e poi Mori. But where was Tolstoy's name? A waiter came with the coffee and the brandy.
"He that would live in peace and rest, Must hear, and see, and say the best." * * Odi, vedi, taci, se vuoi viver in pace. All Piedro's neighbours did not follow this peaceable maxim; for when he and his father began to circulate the story of the treasure found in the garden, the village of Resina did not give them implicit faith.
The question as to the existence of an indigenous school of painting before the Italian artistic invasion is still a subject of acrimonious discussion among critics; there is none, however, as to its existence in the plastic arts. The old French tradition died hard, and not before it had stamped upon Italian Renaissance architecture the impress of its native genius and adapted it to the requirements of French life and climate. The Hôtel de Cluny, finished in 1490, still remains to exemplify the beauty of the native French domestic architecture modified by the new style. The old Hôtel de Ville, designed by Dom. da Cortona and submitted to Francis in 1532, was dominated by the French style, and not until nearly a century after the first Italian Expedition were the last Gothic builders superseded. The fine Gothic church of St. Merri was begun as late as 1520 and not finished till 1612, and the transitional churches of St. Étienne and St. Eustache remind one, by the mingling of Gothic and Renaissance features, of the famous metamorphosis of Agnel and Cianfa in Dante's Inferno, and one is tempted to exclaim, Ome, come ti muti! Vedi, che gi
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