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The art critic of the Gil Blas, M. Louis Vauxelles, whose scathing criticisms of the "classic" pompier academic school of painting and of sculpture, and whose intelligent censure of the extreme "futurist" clique elicit the hearty approval of all true lovers of art, in the United States, as well as in France, is serving as a simple soldier in an infantry regiment, but finds time occasionally to write to the Intransigeant picturesque descriptions of military life.
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