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He hated it; but he stayed, and as an architect was the last thing any one wanted in Des Vaches since the jail and court-house had been built, he became, half without his willing it, a newspaper man.

Then, little by little, they got precious coal from the railroad, this land having but scant fuel near at hand, and they built great stacks of the bois des vaches, that fuel which Nature left upon the plains until the railroads brought in coal and wood. Each man must, under the law, live upon his own land, but in practice this was no hardship.

His fifty years and gray hairs made him enjoy among women the confidence inspired by mature age, although he had not given up the thought of love affairs. He talked of his native mountains with enthusiasm. He would at any time sing the "Ranz des Vaches" with tears in his eyes, and was the best story-teller in the Comtesse Jules's circle.

It was there he heard, under peculiar circumstances, and probably for the first time, the plaintive sound of a mountain-horn, breathing forth the few notes of a kind of "Ranz des Vaches." "The 'Ranz des Vaches' which I send you," he says in one of his letters, "is neither that with which our friend Jean Jacques has presented us, nor that of which M. De la Bord speaks in his work on music.

Farewell, ye green meadows, Farewell, sunny shore, The herdsman must leave you, The summer is o'er. Second Variation of the Ranz des Vaches.

However, this irregular tone charms the Swiss, and is one of the peculiarities of their "Ranz des Vaches:" But it is in the national music of the Celtic race that we find the most familiar examples of melody symbolizing character. The purest form of it is undoubtedly the Irish; and who will not bear witness that in its half-laughing and half-sobbing notes we hear the voice of the race?

Much discussion as to the possibilities and probabilities of our being able to stay here another day. When we came back from our afternoon ride at near eight, found Mr. Greville and Lady Charlotte here, and a letter from my father, saying that I could be spared from my work at the theater a little longer, and promising to come down to us.... In the evening Mr. C and I acted some of Racine's "Andromaque" for them; my old school part of Hermione which I have not forgotten, and then two scenes from Scribe's pretty piece of "les premières Amours." He acts French capitally, and, moreover, bestowed upon me the two following ridiculous conundrum puns, for which I shall be forever grateful to him: "Que font les Vaches

The overture to "William Tell," with its Alpine repose, its great storm-picture, the stirring "Ranz des Vaches," and the trumpet-call to freedom, is one of the most perfect and beautiful ever written, and is so familiar that it does not need analysis. Arnold enters, and a long duet, one of Rossini's finest inspirations, follows between Arnold and Tell.

These little sketches may remind some of happy days spent under the Roman sky, and, by directing the attention of others to what they have overlooked, may open a door to a new pleasure. Chi sa? The plainest Ranz des Vaches may sometimes please when the fifth symphony of Beethoven would be a bore.

And whenever the way seemed long, Or his heart began to fail, She would sing a more wonderful song, Or tell a more marvelous tale. So she keeps him still a child, And will not let him go, Though at times his heart beats wild For the beautiful Pays de Vaud; Though at times he hears in his dreams The Ranz des Vaches of old, And the rush of mountain streams From glaciers clear and cold;