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They were for the most part the beginning of some word which reminded him of a thing he cared to remember. First he had, in sport, named some of them after the metrical feet of Latin verse, which had been but ill friends of his in his school days, and in his kennel there was a Troch, Iamb, Spond and Dact, whose full names were Trochee, Iambus, Spondee and Dactyl.
They were for the most part the beginning of some word which reminded him of a thing he cared to remember. First he had, in sport, named some of them after the metrical feet of Latin verse, which had been but ill friends of his in his school days, and in his kennel there was a Troch, Iamb, Spond and Dact, whose full names were Trochee, Iambus, Spondee and Dactyl.
Four groups, each practically uttered as one word: the first, in this case, an iamb; the second, an amphibrachys; the third, a trochee; and the fourth, an amphimacer; and yet our schoolboy, with no other liberty but that of inflicting pain, had triumphantly scanned it as five iambs.
But as to Ephorus, he did not reflect that even the spondee, which he rejects, is equal in time to his favourite dactyl; because he supposed that feet were to be measured not by the quantity, but the number of their syllables; a mistake of which he is equally guilty when he excludes the trochee, which, in time and quantity, is precisely equal to the iambic; though it is undoubtedly faulty at the end of a period, which always terminates more agreeably in a long syllable than a short one.
The labour bestowed upon this point must have been very great; the tone and quantity of words seem weighed in scales of gold. It will, no doubt, be considered ridiculous by the Fannii and Fanniae of our day to talk of varying the trochee with the iambus, or of resolving either into the tribrach.
For he thinks that feet ought to be measured by their syllables, not by their quantity; and he does the same in regard to the trochee, which in its quantity and times is equivalent to an iambic; but which is a fault in an oration, if it be placed at the end, because a sentence ends better with a long syllable.
They were for the most part the beginning of some word which reminded him of a thing he cared to remember. First he had, in sport, named some of them after the metrical feet of Latin verse, which had been but ill friends of his in his school days, and in his kennel there was a Troch, Iamb, Spond and Dact, whose full names were Trochee, Iambus, Spondee and Dactyl.
She bargained royally, giving love for nothing less than love. The man is rustic, illiterate; he never heard of Aristotle, he would be at a loss to distinguish between a trochee and a Titian, and if you mentioned Boileau to him would probably imagine you were talking of cookery. But he loves her. He would forfeit eternity to save her a toothache.
And as it is not poets who follow laws, but precede them as trochee and iambic, alcaic and hexameter, are the inventions of grammarians following on the trail of genius so it behoves the Aristotle who would discover the laws of the rhythm of prose to study the masters of the art, masters by instinct and a faultless ear and the grace of God, and endeavour by patient induction to wrest from their sentences the secrets of their harmonies.
For as the paeon has three short syllables, and the dactyl two, he thinks their shortness and celerity give a brisk and lively flow to our language; and that a different effect would be produced by the trochee and the spondee, the one consisting of short syllables, and the other of long ones; so that by using the former, the current of our words would become too rapid, and too heavy by employing the latter, losing, in either case, that easy moderation which best satisfies the ear.
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