United States or Sint Maarten ? Vote for the TOP Country of the Week !


If you would know the man Shakespeare, you will find him usually in cap and bells. Jaques, Costard, Trinculo, Mercutio, are confessions, for into the mouths of these he puts his wisest maxims. Shakespeare dearly loved a fool, because he was one. He plays with truth as a kitten gambols with a ball of yarn.

And if Costard, Trinculo, Touchstone, Jaques and Mercutio had lived in Salem in Sixteen Hundred Ninety-two, there would have been not only a flashing of merry jests, but a flashing of rapiers as well, and every gray hair of every old dame's head would have been safe so long as there was a striped leg on which to stand. Lincoln, liberator of men, loved the motley.

When all, even his daughters, had forsaken King Lear, the fool bares himself to the storm and covers the shaking old man with his own cloak; and when in our day we meet the avatars of Trinculo, Costard, Mercutio and Jacques, we find they are men of tender susceptibilities, generous hearts and lavish souls.

Why is Prospero so disturbed at the reminder of so paltry a plot as that of Caliban and his associates? Is it likely that these drunken fellows could frame any plot that would be but as gossamer before his art? Is it natural that so low a creature as Caliban should show more intelligence than Stephano and Trinculo in disregarding Ariel's 'stale' set to catch them?

I got a note from Cadell, in which Ballantyne, by a letter enclosed, totally condemns Anne of Geierstein three volumes nearly finished a pretty thing, truly, for I will be expected to do it all over again. Great dishonour in this, as Trinculo says, besides an infinite loss. Sent for Cadell to attend me next morning that we may consult about this business.

The wisdom of the princely hermit Prospero has a magical and mysterious air; the disagreeable impression left by the black falsehood of the two usurpers is softened by the honest gossipping of the old and faithful Gonzalo; Trinculo and Stephano, two good-for-nothing drunkards, find a worthy associate in Caliban; and Ariel hovers sweetly over the whole as the personified genius of the wonderful fable.

What indications are there in the play that Prospero was high-strung and spirited, a revenge-loving Italian? Trace the effects of remorse on each of the ill-doers. Is there any reason to suppose that Antonio, Stephano, or Trinculo are repentant? Is it out of character for Caliban to be? The 'Faerie' of the play. The duration of the play.

These spirits are not airy nothings, woven of the unsubstantial gossamer of which dreams are made; they are born of a deep insight into the possibilities of the soul, and a rational faith in their reality. Prospero is as real as Trinculo, and Rosalind as true as Cressida.

His command had stirred the seas and sent the winds abroad which brought Milan and Naples within his hand; at his bidding the isle was full of sounds; Ariel served him with tireless devotion; he read the sweet thought that flashed from Miranda to Ferdinand; he unearthed the base conspiracy of Caliban, Trinculo, and Stephano; he read the treacherous hearts of Antonio and Sebastian; in his hand all these threads were gathered, and upon all these lives his will was imposed.

"Verily," as Trinculo says, "the monster hath two mouths:" the one, the forward mouth, tells us very justly that the teaching cannot "honestly" be "distinctly denominational;" but the other, the backward mouth, asserts that it must by no manner of means be "undenominational."