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Now, Egeria's foot is very nearly as lovely as Trilby's in the story, and much prettier than Trilby's in the pictures; consequently, she wears a hideous, broad-toed, low-heeled boot, and looks trim and neat in it.

I quote this, as probably it may not be known to everybody that Sir Lewis was knighted on the memorable occasion of Trilby's birthday, when she was presented at the drawing and every other room. With much kindly fore-thought his friend and biographer allows him to be eighty years old in the early sixties, thereby enabling him to have attained to-day the ripe old age of one hundred and fourteen.

She went further: she demanded her pound of flesh or padding she wished to exhibit what in technical slang is called le tutu, a term descriptive of the abbreviated costume and possessed also of a secondary meaning, which may be imagined by taking the ordinary tourist's pronunciation of the words and translating it. Trilby's "the altogether" in connexion with tights explains the matter.

They were all good-looking and well-dressed, and seemed to be women of some education. One of these in particular attracted my attention; she was an exceedingly beautiful woman of perhaps thirty-five; she had glistening copper-colored hair, very white skin, and eyes very much like Du Maurier's conception of Trilby's "twin gray stars."

Here the high color is often due to a paralytic distention of the blood-vessels of the face and neck, and an examination of his heart and blood-vessels shows that his prospects are anything but as rosy as his countenance. The varying expressions of the face of disease are by no means confined to the countenance. In fact, they extend to every portion of in Trilby's immortal phrase "the altogether."

The roof of the mouth, the teeth, the hard gums, the cones of the nasal passage, and the sinuses are the solid portions of the cavities of resonance. When Svengali gazed into Trilby's mouth and exclaimed, "Himmel, what a roof!" he spoke from the depths of vocal knowledge.

The gravity with which she listened to what went on, and wrinkled up her brow in an evident effort to understand, was comical to the last degree. She knew the fire alarm signals and when anything momentous was afoot. On the quiet days, when nothing was stirring, she would flock with the reporters on the stoop and sing. There never was such singing as Trilby's. That was how she got her name.

She closed the door with the softness one uses in closing the door of a death-chamber, in order, I suppose, "not to disturb" me. I pulled myself together, and went on. Mr. and Mrs. Jimmie at Canterbury. "Clean it off? What sacrilege! Why, there are persons who would like to buy the whole wall, as Taffy tried to buy the wall on which Little Billee had drawn Trilby's foot," I exclaimed. Mrs.

"And one might be lost in a very much worse place," put in Marguerite de Valois, "if, indeed, it were possible to lose us in Paris at all. I fancy that I know enough about Paris to find my way about." "Humph!" ejaculated Cassandra. "What a foolish little thing you are! You don't imagine that the Paris of to-day is the Paris of your time, or even the Paris of that sweet child Trilby's time, do you?

"And one might be lost in a very much worse place," put in Marguerite de Valois, "if, indeed, it were possible to lose us in Paris at all. I fancy that I know enough about Paris to find my way about." "Humph!" ejaculated Cassandra. "What a foolish little thing you are! You don't imagine that the Paris of to-day is the Paris of your time, or even the Paris of that sweet child Trilby's time, do you?