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They were delighted with this new mode of reckoning; three and three made six, three thousand then and three now made six, that was clear. They questioned all the peasants suggested by Trifon Borissovitch, Stepan and Semyon, the driver Andrey, and Kalganov. The peasants and the driver unhesitatingly confirmed Trifon Borissovitch’s evidence.
“Pour out some for us,” said Grushenka; “I’ll drink to Russia, too!” “So will I,” said Kalganov. “And I would, too ... to Russia, the old grandmother!” tittered Maximov. “All! All!” cried Mitya. “Trifon Borissovitch, some more bottles!” The other three bottles Mitya had brought with him were put on the table. Mitya filled the glasses. “To Russia! Hurrah!” he shouted again.
“It must be a Sabaneyev who worked for the Kuzmitchovs, that’s who it must be,” one of the women suggested. The young man stared at her wildly. “For the Kuzmitchovs?” repeated another woman. “But his name wasn’t Trifon. His name’s Kuzma, not Trifon; but the boy said Trifon Nikititch, so it can’t be the same.”
And see what trifling things can do sometimes; it seems nothing at all, but it's painful. It occurred to her to ask me, what is my name; not my surname, but my first name. I must needs be so unlucky as to be called Trifon. Yes, indeed; Trifon Ivanitch. Every one in the house called me doctor. However, there's no help for it. I say, "Trifon, madam."
But Trifon Borissovitch stood proudly, with both hands behind his back, and staring straight at Mitya with a stern and angry face, he made no reply. “Good-by, Dmitri Fyodorovitch, good-by!” he heard all at once the voice of Kalganov, who had suddenly darted out. Running up to the cart he held out his hand to Mitya. He had no cap on. Mitya had time to seize and press his hand.
The angles have shafts, and there is a pointed trefoiled cornice with carved mouldings and cornice above. The third story is Renaissance, finished in 1598 by Trifon Boccanich. Gothic details still appear as in the shafted two-light windows, with the pierced quatrefoils above and the twisted shafts at the angles. The whole finishes with a pyramidal spire, imitating the Venetian campanile.
When Fetyukovitch had to cross-examine him, he scarcely tried to refute his evidence, but began asking him about an incident at the first carousal at Mokroe, a month before the arrest, when Timofey and another peasant called Akim had picked up on the floor in the passage a hundred roubles dropped by Mitya when he was drunk, and had given them to Trifon Borissovitch and received a rouble each from him for doing so. “Well,” asked the lawyer, “did you give that hundred roubles back to Mr.
Trifon Borissovitch, recalled, was forced, in spite of his evasions, to admit that Pan Vrublevsky had substituted another pack of cards for the one he had provided, and that Pan Mussyalovitch had cheated during the game. Kalganov confirmed this, and both the Poles left the witness-box with damaged reputations, amidst laughter from the public.
So neither Mitya nor any one else knew that he was being watched. The box with the pistols had been carried off by Trifon Borissovitch and put in a suitable place. Only after four o’clock, almost at sunrise, all the officials, the police captain, the prosecutor, the investigating lawyer, drove up in two carriages, each drawn by three horses.
“Dmitri Fyodorovitch, dear sir, we see you once more!” “Stay, Trifon Borissovitch,” began Mitya, “first and foremost, where is she?” “Agrafena Alexandrovna?” The inn-keeper understood at once, looking sharply into Mitya’s face. “She’s here, too ...” “With whom? With whom?” “Some strangers. One is an official gentleman, a Pole, to judge from his speech.
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