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Granite steps lead up to it. A torii, or portal, is artistically carved in stone, and another is so perfect that the architect feared the envy of the gods, and therefore placed one of the pillars upside down. We see carved in wood three apes, one holding his hands before his eyes, another over his ears, and the third over his mouth.
We then visited some shops, of which there are a large number, all of them very interesting. Shintoism is the State religion, and the following morning we visited one of the temples, named Kitano Tenjin. Entering through the great stone torii or gateway, we found stone lanterns, together with stone and bronze bulls presented by devotees.
First, we entered what our guide termed the Medicine Temple, not so very large, where on the opposite side of the room huge idols were placed before all manner of receptacles for holding medicine; next a Buddhist Temple, very inferior to any we had seen; then a Confucian temple, plain like the majority of them; while a Shinto temple had the characteristic torii before it.
The island was lovely as we left in the early light; and the whole landscape, from the towering mountain in the distance, the lesser ones sloping down to the plateau, to the sea, scintillated in brilliant color; even the great stone lanterns that were so unique the evening previous now stood out in bold relief, and the old torii was statelier than ever.
A beautifully decorated building behind this is the depository for the complete collection of the Buddhist scriptures, contained in a fine revolving octagonal bookcase with red lacquered panels and gilt pillars. In the centre of this court stands a fine bronze torii. A flight of steps gives access to the second court.
At the foot of the steps, and repeated at several stages up the slope, are the peculiar torii, or "bird-perches," that form the distinctive mark of a Shinto temple. Numerous shrines occupy the court-yard of the temple; the shrines are built of wood mostly, and contain representations of the various gods to whose particular worship they are dedicated.
The fact of its being an edifice of the Shinto religion is self-evident from the torii which stand before every Shinto temple. There are no idols or exterior ornamentation of any kind. The walls are left untouched by either the painter or the lacquerer. In the Buddhist temples, on the contrary, the Japanese artist has had afforded him full scope for the exercise of his ornamental ingenuity.
We have reached Kitzuki, the holy city. Over a long bridge and under a tall torii we roll into upward-sloping streets. Like Enoshima, Kitzuki has a torii for its city gate; but the torii is not of bronze.
In front of the miyas stood what we should suppose on first seeing was a gateway. This was the torii or bird-perch, and anciently was made only of unpainted wood. Two upright tree-trunks held crosswise on a smooth tree-trunk the ends of which projected somewhat over the supports, while under this was a smaller beam inserted between the two uprights.
We pass a torii and beyond it come to a stone monument covered with figures of monkeys chiselled in relief. What the signification of this monument is, even our guide cannot explain. Then another torii. It is of wood; but I am told it replaces one of metal, stolen in the night by thieves. Wonderful thieves! that torii must have weighed at least a ton!
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