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His absurd play-within-a-play, Puss in Boots , is delicious in its bizarre ragout of satirical extravaganzas, where the naïve and the ironic lie side by side, and where the pompous seriousness of certain complacent standards is neatly excoriated. Such publications as the two mentioned were hailed with rejoicing by the Schlegels, who at once adopted Tieck as a natural ally.
Lyrics and episodic stories are interpolated, obsolete words and stylistic archaisms occur. In short, the novelette reads like an amalgamation of Novalis without his philosophy, Waekenroder without his suggestiveness, and Tieck without his constructive ability. The story entitled Leda is again typical of Loeben.
Also, he encouraged me to hope that he might buy a barrel of our apples. After my encounter with Mr. Flint, I returned to our lonely old abbey, opened the door without the usual heart-spring, ascended to my study, and began to read a tale of Tieck. Slow work, and dull work too!
At Berlin they made friends with Tieck, on whom the king had bestowed a pension and a house at Potsdam; while at Weimar they were entertained by Frau von Goethe, whose son, Wolfgang, had been one of their earliest acquaintances at Heidelberg. This interesting tour is described at length in the Rural and Domestic Life of Germany.
Old Tieck or Hoffman introduces you to ghouls and ghosts, and they look on them, themselves, with such awestruck eyes, and treat them in every way with such demonstrations of perfect credence in their being really ghouls and ghosts, that it is not to be denied that strange feelings creep over one in reading their stories at the witching hour, when the fire is nearly out, and the candle-wicks are an inch and a half long.
Then follows that third generation to which Schlegel himself belongs, and which is more generally known in literary history as the era of the Romantic school a school answering both in chronology, and in many points of character also, to what we call the Lake school in England. Coleridge, Wordsworth, and Southey, are contemporaries of Tieck, Novalis, and the Schlegels.
He beguiled these incommunicative periods by studying German, in Tieck and Bürger, without apparently making much progress; also in reading French, in Voltaire and Rabelais. He had other visitors than little birds, however, and their demands were also not Rabelaisian. Thoreau comes to see him, and they talk "upon the spiritual advantages of change of place, and upon the Dial, and upon Mr.
But you say nothing, friend Tom, of Goethe, and Tieck, and Schlegel, and La Martine, Chateaubriant, Hugo, Delavigne, Mickiewicz, Nota, Manzoni, Niccolini, &c. &c. &c. &c. &c. &c." Honest, well-meaning Mr.
But the good, deep, noble Novalis made the fairest amends; for notwithstanding all this, Tieck tells us, if we remember rightly, he continually returned to /Meister/, and could not but peruse and reperuse it.
Five names embody about all that was most significant in the earlier movement: Fichte, the brothers Friedrich and Wilhelm Schlegel, Tieck, and Novalis.
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