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G.C.M. A great poet? received with acclamation G.C.M. A great painter? oh! certainly, G.C.M. If a great painter, why not a great novelist? Well, pass, great novelist, G.C.M. But if a poetic, a pictorial, a story-telling or music-composing artist, why not a singing artist? Why not a basso-profondo? Why not a primo tenore?
The indecency, the cynical and naked impudence of it, took me like a buffet. There, in a group of strangers, my cheek reddened under it, and for the moment I had a mind to run. I had done better to run. By a chance his eye missed mine as he swaggered past at a canter, for all the world like a tenore robusto on horseback, with the rouge on his face, and his air of expansive Olympian black-guardism.
Still behind him was as unusually large young woman, fully a head taller than either of the two men, who had an abundance of jet black hair, and was dressed in a very rich robe and wrap, both of which were somewhat soiled and worn. "Signor R-r-r-r-icardo, der grosse tenore Mees-ter Burnit," introduced the rotund little German, with a deep bow commensurate with the greatness of the great tenor.
A figure of primo tenore had witnessed the manoeuvre from the box of his cab; he held up his whip, and at a nod from Colville he drove abreast of the doorway, his broken-kneed, tremulous little horse gay in brass-mounted harness, and with a stiff turkey feather stuck upright at one ear in his head-stall. Mrs.
"Indeed, the not observing these two last things, makes Plays that are writ in Verse so tedious: for though, most commonly, the Sense is to be confined to the Couplet; yet, nothing that does perpetuo tenore fluere, 'run in the same channel, can please always. 'Tis like the murmuring of a stream: which, not varying in the fall, causes at first attention; at last, drowsiness.
Never can I forget the time I passed with you, not only in Bonn, but here. Continue your friendship towards me, for you shall always find me the same true friend, ALTO. Ba-ron. TENORE. Ba-ron. BASSO. Ba-ron. Ba-ron.
The 'primo tenore' statue of Garibaldi had already taken possession of the place in the name of Latin progress, and they met Italian faces, French faces, Spanish faces, as they strolled over the asphalt walks, under the thinning shadows of the autumn-stricken sycamores.
Biff Bates, ex-champion middle-weight, to these imported artists, but, very much to his surprise, Signorina Caravaggio and Professor Bates struck up an instant and animated conversation anent Biff's well-known and justly-famous victory over Slammer Young, and so interested did they become in this conversation that instead of Biff's sitting up in the front seat, as Bobby had intended, the eminent instructor of athletics manoeuvered the Herr Professor into that post of honor and climbed into the tonneau with Signor Ricardo and the Signorina, with the latter of whom he talked most volubly all the way over, to the evidently vast annoyance of Der Grosse Tenore.
He appeared as primo tenore, and was hissed; he then tried his luck as first bass, and was again hissed by his friends the sans culottes. Enraged by the fiasco, he attributed it to the machinations of a counter-revolution, and nearly persuaded Robespierre to give him a platoon of musketeers to fire on the infamous emissaries of "Pitt and Coburg."
It is the answer solemnly made to the solemnly asked question by the Court of Love held by the Countess of Champagne in 1174, and registered by Master Andrew the King of France's chaplain: "Dicimus enim et stabilito tenore firmamus amorem non posse inter duos jugales suas extendere vires."
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