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A Greek dramatist would probably have had recourse to a long and elaborately worked-up "messenger-speech," a pathetic recitation. That was the method best suited to the conditions, and to what may be called the prevailing tempo, of the Greek theatre. I am far from saying that it was a bad method: no method is bad which holds and moves an audience.
And now, all unseen in the darkness, the waits were stationed at a little distance to mellow the sound, and were singing these old Christmas carols while the guests gathered. The rough martial voices rang out with a sort of jubilant solemnity and a strongly defined tempo giusto, very natural to men who "mark time" for their sins, and whose progress through life is to the sound of the drum.
Oggi fa bel tempo," or "fa cattivo tempo," as the case may be. This is no less a person than Beppo, King of the Beggars, and permanent bore of the Scale di Spagna. He is better known to travellers than the Belvedere Torso of Hercules at the Vatican, and has all the advantage over that wonderful work, of having an admirable head and a good digestion.
You see, when there's a certain amount of housework you feel obliged to do, and when your studies fairly clamor for attention the rest of the time, it sets your nerves all awry to keep the tempo for clumsy fingers that go just half as fast as they should; or to teach over and over again that four times five are always twenty.
Through time and tempo also, poetic rhythm is expressive, much after the manner of music; by these means too, in addition to the mode of stress-undulation, it imitates the temporal and dynamic course of action and emotion, and so tends to arouse congruous types of feeling in the mind; it is swift or slow, gliding or abrupt, retarded or accelerated.
Thus, the Ecole des femmes does nothing more than reproduce and repeat a single incident in three tempi: first tempo, Horace tells Arnolphe of the plan he has devised to deceive Agnes's guardian, who turns out to be Arnolphe himself; second tempo, Arnolphe thinks he has checkmated the move; third tempo, Agnes contrives that Horace gets all the benefit of Arnolphe's precautionary measures.
And still they all in some fashion had reference to Bertha; for in a misty, abstract way, she filled his whole mind; but for some indefinable reason, he was afraid to give free rein to the sentiment which lurked in the remoter corners of his soul. Onward he hastened, while his heart throbbed with the quickening tempo of mingled expectation and fear.
"It was said of Chopin that in playing his waltzes his left hand kept absolutely perfect time, while his right hand constantly varied the rhythm of the melody, according to what musicians call tempo rubato,'stolen' or distorted time. Whether this is true in fact, or even physically possible, has been doubted; but it represents a perfectly familiar possibility of the mind.
The solemn proofs, so laboriously deduced from life insurance statistics, that the man who uses alcohol, even moderately, dies slightly sooner than the teetotaler these proofs merely show that this man is one who leads an active and vigorous life, and so faces hazards and uses himself up in brief, one who lives at high tempo and with full joy, what Nietzsche used to call the ja-sager, or yes-sayer.
Accordingly after the Allegretto Scherzando, the time of which is invariably "dragged" somewhat, the Tempo di Minuetto is universally served up as a refreshing "Landler," which passes the ear without leaving any distinct impression. Generally, however, one is glad when the tortures of the Trio are over.
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