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Abingdon in Lady Teazle; and Smith, the original Charles, had retired, when I first saw it. The rest of the characters, with very slight exceptions, remained. I remember it was then the fashion to cry down John Kemble, who took the part of Charles after Smith; but, I thought, very unjustly. Smith, I fancy, was more airy, and took the eye with a certain gaiety of person.

His altered voice was meant to you, and you were to suppose that his fictitious co-flutterers on the stage perceived nothing at all of it. The fortunes of Othello and Desdemona were not concerned in it. Poor Jack has passed from the stage in good time, that he did not live to this our age of seriousness. The pleasant old Teazle King, too, is gone in good time.

Lady Teazle, in her scene with Sir Peter in the Second Act, says: "That's very true, indeed, Sir Peter: and, after having married you, I should never pretend to taste again, I allow."

Mrs. Teazle. Maria. From this list of the personages we may conclude that the quarrels of Old Teazle and his wife, the attachment between Maria and one of the Plausibles, and the intrigue of Mrs. "Making love to aunt and niece meeting wrong in the dark some one coming locks up the aunt, thinking it to be the niece."

Some variations useful to him have probably arisen suddenly, or by one step; many botanists, for instance, believe that the fuller's teazle, with its hooks, which cannot be rivalled by any mechanical contrivance, is only a variety of the wild Dipsacus; and this amount of change may have suddenly arisen in a seedling.

Noisy strains of dance music, merry peals of laughter, little snatches of society gossip, beaming faces, silk and lace and flimsy loveliness, bouquets and gloves, trains, handkerchiefs, fans and flirtation, all in a sweet confusion. This is Ottawa at its best, as every one allows when the Misses Teazle throw aside their family portals for their annual ball.

Joseph, at the commencement of the scene, desires his servant to draw the screen before the window, because "his opposite neighbor is a maiden lady of so anxious a temper;" yet, afterwards, by placing Lady Teazle between the screen and the window, he enables this inquisitive lady to indulge her curiosity at leisure.

My host of Douglas' did neither; but opened both his heart and his pocket-book, and with the greatest good humour handed me the requested sum. What good people there are in this world, which that crusty old Sir Peter Teazle calls 'a d-d wicked one. I poured out all my trouble to the generous man. He ordered me an excellent supper, and a very nice room.

His altered voice was meant to you, and you were to suppose that his fictitious co-flutterers on the stage perceived nothing at all of it. The fortunes of Othello and Desdemona were not concerned in it. Poor Jack has past from the stage in good time, that he did not live to this our age of seriousness. The pleasant old Teazle King, too, is gone in good time.

Oliphant discusses this scene. Speaking in particular of the moment at which the screen is overturned, revealing Lady Teazle behind it, she says "It would no doubt have been higher art could the dramatist have deceived his audience as well as the personages of the play, and made us also parties in the surprise of the discovery."