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There is in each book a similar importance of the background. In Innocencia the "point of honor" is quite as strong and vindictive as in any play of the Spanish Golden Age. María shares with Innocencia relieving touches of humor and excellent pages of character description. Taunay's O Encilhamento is a violent antithesis to the work just considered. Here the politician speaks.

Everything from Taunay's pen reveals a close communion with nature, an intimate understanding of the psychology of the vast region's inhabitants. His shorter tales, which I hope later to present to the English-reading public, reveal these powers at their best.

It has been called, by Mérou , "the best novel written in South America by a South American," a compliment later paid by Guglielmo Ferrero to Graça Aranha's Canaan. Viscount Taunay's famous work has been translated into French twice, once into English, Italian, German, Danish, and even Japanese. The scene is laid in the deserted Matto Grosso, a favorite background of the author's.

Antonio de Moraes, in this story, is not so strong in will as Taunay's vicar of sorrows. Antonio is a missionary "with the vocation of a martyr and the soul of an apostle," on duty in the tropics. The voluptuous magnetism of the Amazon seizes his body. Slowly, agonizingly, but surely he succumbs to the enchantment, overpowered by the life around him.