United States or Myanmar ? Vote for the TOP Country of the Week !


Titus and Arruns were the two who set out. They were accompanied by Lucius Junius Brutus, the son of Tarquinia, the king's sister, a youth of an entirely different cast of mind from that of which he had assumed the disguise.

That Sulpicia could publish amatory poems in honour of her husband and receive eulogies from writers like Martial shows that she and ladies like her occupied somewhat the same position as Olympia Morata and Tarquinia Molza later in Italy during the Renaissance, or like some of the celebrated Frenchwomen, such as Madame de Staël.

Not only was her person most lovely, but her mind shone at first with all the amiable lustre of a modest, innocent, and winning youth. Her father, Claudio Accoramboni, removed to Rome, where his numerous children were brought up under the care of their mother, Tarquinia, an ambitious and unscrupulous woman, bent on rehabilitating the decayed honours of their house.

He worked upon the Duke of Bracciano's mind so cleverly, that he brought this haughty prince to the point of an insane passion for Peretti's young wife; and meanwhile so contrived to inflame the ambition of Vittoria and her mother, Tarquinia, that both were prepared to dare the worst of crimes in expectation of a dukedom. The game was a difficult one to play.

Her name was Tarquinia Molza, and she was a poetess, but her relatives frowned upon the alliance of her poetry and his music, and forced her to go back to her mother at Mantua, where she outlived De Wert some twenty-seven years.

Tarquinia Moeza was there, a woman of beauty and of rare poetic gifts; Lucrezia Bendidio, beautiful and accomplished, and having constantly about her a most admiring throng of poets and literati; and later came the two acknowledged beauties of the day, Leonora di Sanvitali, Countess of Scandiano, and her no less charming mother-in-law, Barbara, Countess of Sala.

Titus and Aruns were the two who went. To them were added, as a companion, L. Junius Brutus, the son of Tarquinia, sister to the king, a youth of an entirely different quality of mind from that the disguise of which he had assumed.

Vittoria's first husband, for example, becomes Camillo; her mother, named Cornelia instead of Tarquinia, is so far from abetting Peretti's murder and countenancing her daughter's shame, that she acts the rôle of a domestic Cassandra. Flaminio and not Marcello is made the main instrument of Vittoria's crime and elevation.

His service at Ferrara, whither he often went, enticed him into a relationship with Tarquinia Molza, a poet and court lady, which caused her to go into retirement. De Wert continued to live in Mantua and his last book of madrigals was published in Venice, September 10, 1591. He must have died soon afterward.

Some state that this did not happen when Tarquinia's field was consecrated, but in later times when Tarquinia gave up another field next to that one, for the public use.