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The sistra were, of course, to beat or rattle in time with the song; the sceptres or wands were perhaps the same as the engraved wands of ivory common in the XIIth Dynasty, or of blue glazed ware in XVIIIth, and would be used to wave or beat time with; but the use of the collar and counterpoise, or menat, is unexplained, though figures of dancers are shown holding a collar and menat, and such objects were found buried in the ceremonial foundation deposit of Tahutmes III. at Koptos.
The conquering Dynasty had been succeeded by the Eighteenth, the Dynasty of Queen Hatshepsut, Tahutmes III., and Amenhotep III., and Egypt was in the full tide of a great revival, alike in world-influence, in trade, and in art.
In the same museum you can look upon the faces of Tahutmes III., the greatest soldier of Egypt; of Ramses II., the oppressor of the Israelites; and, perhaps most interesting of all, of Merenptah, the Pharaoh who hardened his heart when Moses pled with him to let the Hebrews go, and whose picked troops were drowned in the Red Sea as they pursued their escaping slaves.
Syria was conquered in these reigns and Asiatic civilization and influences poured in upon Egypt. The great Tahutmes III, whose reign was "one of the grandest and most eventful in Egyptian history," had a strong Negroid countenance, as had also Queen Hatshepsut, who sent the celebrated expedition to reopen ancient trade with the Hottentots of Punt.
Rekh-ma-ra, in whose tomb are the other notable pictures of the Keftiu, was also a great figure in Egyptian history in the next reign. He was Vizier to Tahutmes III., the conquering Pharaoh of the Eighteenth Dynasty. The pictures on the walls of his tomb are, at least in some cases, evidently more than mere racial studies; they are careful portraits.
Queen Hatshepsut, who states in one of her inscriptions that 'her spirits inclined towards foreign peoples, had sent out her squadron to Somaliland, and Tahutmes III. had organized a war-fleet on the Mediterranean coast-line.
Tahutia was a well-known officer of Tahutmes III.; and the splendid embossed dish of weighty gold which the king presented to him is one of the principal treasures of the Louvre museum. It is ornamented with groups of fish in the flat bottom, and a long inscription around the side.
The word means the people or the country 'at the back of' in other words, at the back of 'the Very Green, as the Egyptians called the Mediterranean. So that the Keftians with whom the merchants and courtiers of Egypt grew familiar in the times of Hatshepsut and Tahutmes III. Were to them the men 'from the back of beyond' the farthest distant people with whom they had any dealings.
The twenty-six years of Amenhotep II.'s reign, and the almost nine of Tahutmes IV., bring us to the accession of Amenhotep III. in 1414, and the thirty-six years of the latter take us to 1379 B.C. or thereby, when the heretic Akhenaten, whose reign was to witness the downfall of the Egyptian Empire in Syria, ascended the throne.
The fact that two of the Keftiu envoys in the Rekh-ma-ra frescoes carry ingots of copper of the same shape as those found by Dr. Halbherr at Hagia Triada suggests that Crete may have exported copper to Egypt in the time of Tahutmes III. as Cyprus exported it in large quantities in that of Amenhotep III.
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