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And thou shalt make fifty taches of brass, and put the taches into the loops, and couple the tent together, that it may be one. And the remnant that remaineth of the curtains of the tent, the half curtain that remaineth, shall hang over the backside of the tabernacle.
And thou shalt hang up the vail under the taches, that thou mayest bring in thither within the vail the ark of the testimony: and the vail shall divide unto you between the holy place and the most holy. And thou shalt put the mercy seat upon the ark of the testimony in the most holy place.
In this mood, we say, he gazed about him, his heart smote with sorrow and affliction, whilst it boiled with indignation and fury. "Thomas Gourlay," he exclaimed "villain oppressor murdherer devil this is your work! but I here entreat the Almighty God " he droppe'd on his knees as he spoke "never to suffer you to lave this world till he taches you that he can take vengeance for the poor."
The original troupe stuffs a napkin, half-way in size between a bath-towel and a tablecloth, inside its neck-band so as to protect its clothes against the little taches concerning which, as a rule, it is more anxious in relation to its costume than its character in the play; but our better-bred players ignore this, and merely spread their "serviettes" upon their unimperilled knees.
Fifty loops made he in one curtain, and fifty loops made he in the edge of the curtain which was in the coupling of the second: the loops held one curtain to another. And he made fifty taches of gold, and coupled the curtains one unto another with the taches: so it became one tabernacle. And he made curtains of goats' hair for the tent over the tabernacle: eleven curtains he made them.
And they brought the tabernacle unto Moses, the tent, and all his furniture, his taches, his boards, his bars, and his pillars, and his sockets, And the covering of rams' skins dyed red, and the covering of badgers' skins, and the vail of the covering, The ark of the testimony, and the staves thereof, and the mercy seat, The table, and all the vessels thereof, and the shewbread,
"I am not sure that I like him," she said, as soon as he was out of hearing. "I don't know but he's coarse, after all. Do you approve of his knowing so many people's 'taches' already?" "Would it be any better later?" he asked in tern. "He seemed to find you interested." "It's very different with us; we're not young," she urged, only half seriously. Her husband laughed.
He is a temperament impressionable to the sun, air, trees, children, women, men, cattle, landscapes, the ocean. Such swift, vivid notation of the fluid life about him is rare; it would be photographic were it not the personal memoranda of a selecting eye; it would be transitory impressionism were it not for a hand magical in its manipulation of pigments. Brain and brush collaborate with an instantaneity that does not perplex because the result is so convincing. We do not intend to quote that musty flower of rhetoric which was a favourite with our grandfathers. It was the fashion then to say that Nature capitalised took the brush from the hand of the painter, meaning some old duffer who saw varnish instead of clear colour, and painted the picture for him. Sorolla is receptive; he does not attempt to impose upon nature an arbitrary pattern, but he sees nature with his own eyes, modified by the thousand subtle experiences in which he has steeped his brain. He has the tact of omission very well developed. After years of labour he has achieved a personal vision. It is so completely his that to copy it would be to perpetrate a burlesque. He employs ploys the divisional taches of Monet, spots, cross-hatchings, big sabre-like strokes
And thou shalt make fifty taches of gold, and couple the curtains together with the taches: and it shall be one tabernacle. And thou shalt make curtains of goats' hair to be a covering upon the tabernacle: eleven curtains shalt thou make. The length of one curtain shall be thirty cubits, and the breadth of one curtain four cubits: and the eleven curtains shall be all of one measure.
She's rale charitable-like an' liberal with the whativer, an' as for Himself, sure he's the darlin' fine man! He taches the dead-and-gone languages in the grand sates of larnin', and has more eddication and comperhinson than the whole of County Kerry rowled together.
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