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An immoral and humanistic time, an immoral and humanistic man, have had at length a heart for the simpler, ruder less favoured classes of mankind; an eye for the bolder, grander, more solemn sights of Nature: modern times have begun, modern sympathies, modern art are in full swing. Mirator veterum, discipulusque memor, Defuit mini symmetria prisca. Peregi Quod potui; Veniam da mihi, posteritas.
"Devoted British colporteurs have philanthropically scattered a few art primers and tracts, and there is a possibility that in the near future, our people may search the maps for Orvieto, and the dictionaries for Campo Santo, to compass the mysteries of the 'Triumph of Death', and of 'Symmetria Prisca'. Some of us have even heard of 'Aucassin et Nicolette', and of 'Nencia da Barberino', picking salad in her garden; and I am almost sure a Vassar girl once spoke to me of Delia Quercia's Ilaria; but with all my national pride, candor compels me to admit that it is a 'far cry' to the day when we can devoutly fall on our knees before the bronze Devil of Giovanni da Bologna.
The results of the want show themselves most glaringly, perhaps, in our architecture, but they show themselves, also, in all our art. Fit details strictly combined, in view of a large general result nobly conceived; that is just the beautiful symmetria prisca of the Greeks, and it is just where we English fail, where all our art fails.
What must not an Englishman feel about our deficiencies in this respect, as the sense for beauty, whereof this symmetry is an essential element, awakens and strengthens within him! what will not one day be his respect and desire for Greece and its symmetria prisca, when the scales drop from his eyes as he walks the London streets, and he sees such a lesson in meanness, as the Strand, for instance, in its true deformity!
Defuit una mihi symmetria prisca, "The antique symmetry was the one thing wanting to me," said Leonardo da Vinci; and he was an Italian. I will not presume to speak for the Americans, but I am sure that, in the Englishman, the want of this admirable symmetry of the Greeks is a thousand times more great and crying than in any Italian.
The results of the want show themselves most glaringly, perhaps, in our architecture, but they show themselves, also, in all our art. Fit details strictly combined, in view of a large general result nobly conceived; that is just the beautiful symmetria prisca of the Greeks, and it is just where we English fail, where all our art fails.
Certain significant facts had flashed across his mind in his studies of that almost abstract, nay, almost cabalistic thing, the science of bodily proportions. It was plain that the mystery of antique beauty the ancient symmetry, symmetria prisca as a humanist designs it in his epitaph for Leonardo da Vinci was but a matter of numbers.
Defuit una mihi symmetria prisca, "The antique symmetry was the one thing wanting to me," said Leonardo da Vinci; and he was an Italian. I will not presume to speak for the Americans, but I am sure that, in the Englishman, the want of this admirable symmetry of the Greeks is a thousand times more great and crying than in any Italian.
What must not an Englishman feel about our deficiencies in this respect, as the sense for beauty, whereof this symmetry is an essential element, awakens and strengthens within him! what will not one day be his respect and desire for Greece and its symmetria prisca, when the scales drop from his eyes as he walks the London streets, and he sees such a lesson in meanness as the Strand, for instance, in its true deformity!
His principal works are De Symmetria partium in rectis formis humanorum corporum, printed at Nuremberg in 1532; and De Verieitate Figurarum, et flexuris partium, et Gestibus Imaginum; 1534. These works were written in German, and after Durer's death translated into Latin. The figures illustrating the subjects were executed by Durer, on wood, in an admirable manner.
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