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He was supposed to preside everywhere, and to be a supreme intelligence. Their view of God was quite similar to the early Ionic philosophers of Greece: "Regnator omnium deus, coetera subjecta atque parentia." They Were never idol-worshipers; they worshiped nature, and called its wonders gods. But this worship of nature was modified by the worship of a hero.

Aut agitur res in Scenis aut acta refertur: Segnius irritant animos demissa per aurem; Quam quae sunt oculis subjecta fidelibus, et quae Ipse sibi tradit spectator. By which, he directly declares his judgement, "That every thing makes more impression Presented, than Related." Nor, indeed, can any one rationally assert the contrary.

We mean not to deny that there is something in this objection. It might even seem to plead the authority of Scripture in its favour "He that loveth not his brother whom he hath seen, how can he love God whom he hath not seen ?" And it was indeed no new remark in Horace's days, Segnius irritant animos demissa per aures, Quam quæ sunt oculis subjecta fidelibus.

Contemporaneity, then, being the common condition of all the laws of association, and a component element in the materia subjecta, the parts of which are to be associated, must needs be co-present with all. Nothing, therefore, can be more easy than to pass off on an incautious mind this constant companion of each, for the essential substance of all.

Instead of small sickles in mowing, they make use of a moderate-sized piece of iron formed like a knife, with two pieces of wood fixed loosely and flexibly to the head, which they think a more expeditious instrument; but since "Segnius irritant animos demissa per aures, Quam quae sunt oculis subjecta fidelibus," their mode of using it will be better known by inspection than by any description.

Segniús irritant animos demissa per aurem Quam quæ sunt oculis subjecta fidelibus, et quæ Ipsi sibi tradit spectator.” De Ar. Poe., 180.

"But, granting an undiminished benevolence to exist on the part both of the landlord and the agent, yet can we expect any great exertion of pathetic eloquence to proceed from the latter to palliate any deficiency of the tenants? or, if there were, do we not know how much lighter an impression is made by distresses related to us than by those which are 'oculis subjecta fidelibus?

"Segnius irritant animos demissa per aurem Quam quae sunt oculis subjecta fidelibus." But the principle is of very limited artistic validity. No one would nowadays think of justifying a gross improbability in the antecedents of a play by Ibsen or Sir Arthur Pinero, by Mr. Galsworthy or Mr. Granville Barker, on the plea that it occurred outside the frame of the picture.

It is not that they can not thoroughly appreciate rectitude of feeling, brilliancy of conversation, and distinguished talent; but remember the hackneyed quotation: Segnius irritant animum demissa per aures, Quam quæ sunt oculis subjecta fidelibus.

"Hinc igitur, praeter pure mathematica et phantasiae subjecta, collegi quaedam metaphysica solaque mente perceptibilia, esse admittenda et massae materiali principium quoddam superius et, ut sic dicam, formale addendum: quandoquidem omnes veritates rerum corporearum ex solis axiomatibus logisticis et geometricis, nempe de magno et parvo, toto et parte, figura et situ, colligi non possint; sed alia de causa et effectu, actioneque et passione, accedere debeant, quibus ordinis rerum rationes salventur.