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The rooms of our hotel are as spacious and cheerful as I could desire; a lofty hall, or rather gallery, painted with grotesque in a very good style, perfectly clean, floored with the stucco composition I have mentioned above, divides the house, and admits a refreshing current of air.

Then, quite abruptly, like a man suddenly remembering the most interesting thing of all, he exclaimed: "Ah! to wind up we'll just go to see the subterranean gallery where Caligula was murdered." Thereupon they descended into a long crypto-porticus, through the breaches of which the sun now casts bright rays. Some ornaments of stucco and fragments of mosaic-work are yet to be seen.

"A pigeon house is made like a great dome, with arched roof, a narrow entrance, and grilled windows or with wider lattices on all sides so that the interior may be well lighted and yet no snake or other such pest may have access. The walls and the dome within and the edges of the windows without should be smeared with light stucco to keep out rats and lizards, for nothing is so timid as a pigeon.

In places where this is not found, the broken bits of marble or "chips," as they are called, which marble-workers throw down as they work, may be crushed and ground and used in stucco after being sifted.

His credentials being satisfactory he was directed by the Major of Alpinists commanding the place to a small stucco house on the main street. Here he inquired for a gentleman named Number Seventy.

Paul Deniville, who had already developed a successful imitation of travertine, was engaged to make the composition to be applied over the exterior walls. This is a reproduction in stucco of the travertine marble of the Roman palaces of the period of Augustus.

The inscription records only the name and titles of the deceased, accompanied now and then by a short form of prayer in his favour. The inside is covered with a thick coat of stucco or whitewash. The body of the chest is made with three horizontal planks for the bottom, and eight vertical planks, placed two and two, for the four sides.

It was in some sort a type of the wretched dwellings in the suburb; a tumble-down hovel, built of rough stones, daubed over with a coat of yellowish stucco, and so riven with great cracks that there seemed to be danger lest the slightest puff of wind might blow it down.

We can touch the things scattered on the foreground, can handle the weapons, the furniture, the books and musical instruments; we can see, or think we see, most plainly the streets and paths, the faces and movements of that Renaissance world; but when we try to penetrate into it, we shall find that there is but a slip of solid ground beneath us, that all around us is but canvas and painted wall, perspectived and lit up by our fancy; and that when we try to approach to touch one of those seemingly so real men and women, our eyes find only daubs of paint, our hands meet only flat and chilly stucco.

As he toils up the steep and slovenly streets, faced with shabby buildings that crack and blacken behind their ill-adjusted fronts of stucco and distemper, he cheapens rapidly in his own view: he feels painfully like the hapless supernumerary whom he has seen mounting an obvious step-ladder behind a screen of rock-work on his way to a wedding in the chapel or a coronation in the Capitol.