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When Stroeve was holding forth at length on the excellence of Monet, he said: "I prefer Winterhalter." But I dare say he said it to annoy, and if he did he certainly succeeded. I am disappointed that I cannot report any extravagances in his opinions on the old masters. There is so much in his character which is strange that I feel it would complete the picture if his views were outrageous.

Strickland's eyes rested on him, and there was in them a malicious expression. I felt sure he was seeking for some gibe, could think of none, and so was forced to silence. "I've brought an old friend to see you," repeated Stroeve, beaming cheerfully. Strickland looked at me thoughtfully for nearly a minute. I did not speak. "I've never seen him in my life," he said.

But Stroeve, the unconquerable buffoon, had a love and an understanding of beauty which were as honest and sincere as was his own sincere and honest soul. It meant to him what God means to the believer, and when he saw it he was afraid. "What did you say to Strickland when you saw him?" "I asked him to come with me to Holland." I was dumbfounded. I could only look at Stroeve in stupid amazement.

I think it's terrible that she should have been deprived of it in that cruel way, and I am ashamed because I do not really care." "You have not the courage of your convictions. Life has no value. Blanche Stroeve didn't commit suicide because I left her, but because she was a foolish and unbalanced woman. But we've talked about her quite enough; she was an entirely unimportant person.

He was getting something of a paunch, and sorrow had no effect on it. He looked more than ever like a prosperous bagman. It is hard that a man's exterior should tally so little sometimes with his soul. Dirk Stroeve had the passion of Romeo in the body of Sir Toby Belch.

The nurse was pitiful to his distress, but she had little to say that could console him. The poor woman lay quite still, refusing to speak, with her eyes intent, as though she watched for the coming of death. It could now be only the question of a day or two; and when, late one evening, Stroeve came to see me I knew it was to tell me she was dead. He was absolutely exhausted.

It was vain to seek the analysis of his emotion. Next day, though I pressed him to remain, Stroeve left me. I offered to fetch his things from the studio, but he insisted on going himself; I think he hoped they had not thought of getting them together, so that he would have an opportunity of seeing his wife again and perhaps inducing her to come back to him.

I could imagine her sedately busy among her pots and pans, making a ritual of her household duties, so that they acquired a moral significance; I did not suppose that she was clever or could ever be amusing, but there was something in her grave intentness which excited my interest. Her reserve was not without mystery. I wondered why she had married Dirk Stroeve.

Stroeve sewed, and I thought I recognised the shirt she was mending as Strickland's. He lay on his back; he did not speak. Once I saw that his eyes were fixed on Blanche Stroeve, and there was in them a curious irony. Feeling their gaze, she raised her own, and for a moment they stared at one another. I could not quite understand her expression.

I was beginning to be bored with a tragedy that did not really concern me, and pretending to myself that I spoke in order to distract Stroeve, I turned with relief to other subjects. "Don't you think you'd better go away for a bit?" I said. "There can be no object in your staying in Paris now." He did not answer, but I went on ruthlessly: "Have you made any plans for the immediate future?" "No."