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Of their number, Christmas Night, A Pipe or no Pipe, On Sundays and The End have appeared in the Fortnightly Review, which was the first to give Stijn Streuvels the hospitality of its pages; In Early Winter and White Life in the English Review; The White Sand-path in the Illustrated London News; An Accident in Everyman; and Loafing in the Lady's Realm.
In introducing this new writer to the English-speaking public, I may be permitted to give a few particulars of himself and his life. Stijn Streuvels is accepted not only in Belgium, but also in Holland as the most distinguished Low-Dutch author of our time: his vogue, in fact, is even greater in the North Netherlands than in the southern kingdom.
Thus monkelen, the West-Flemish for the verb "to smile," is prettier and has an archer sound than its Dutch equivalent, glimlachen. In translating Streuvels' sketches, I have given a close rendering: to use a homely phrase, their flavour is very near the knuckle; and I have been anxious to lose no more of it than must inevitably be lost through the mere act of translation.
I hope that I may be forgiven for one or two phrases, which, though not existing, so far as I am aware, in any country or district where the English tongue is spoken, are not entirely foreign to the genius of that tongue. Here and there, but only where necessary, I have added an explanatory foot-note. For those interested in such matters, I may say that Stijn Streuvels' real name is Frank Lateur.
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