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The chancel has a round and the chapels pointed entrance arches, formed, as are the jambs, of two bands of carving and two thick twisted mouldings. Tomb recesses, added later, with strapwork pediments line the chapels, and at the entrance to the chancel are two pulpits, for the Gospel and Epistle.

On the entablature, enriched with medallions and strapwork, is a frame supported by boys and containing the da Silva arms. But the most interesting and beautiful part of the monument is the back, above the effigy. Here, in the upper part, is a shallow recess flanked by corbel-carried pilasters, and containing a relief of the Assumption of the Virgin.

A full-page picture of the Evangelist precedes each Gospel, and a composite border frames each miniature in a bewildering pattern of intertwining strapwork and wonderful designs of imaginary beasts. Ornamental capitals and rich borders give a special beauty to the initial pages of the Gospels. Patrick.

The pendentives with their cherub heads are carried by corbels in the corners, and the dome is divided by bold ribs, themselves enriched with carving, into panels filled with strapwork.

The main cornice is larger, but the pediment is perfectly plain. Three windows, one with a pointed and two with round pediments, occupy the spaces left between the upper pilasters. The inside is richer; the wooden ceiling is painted, the shallow chancel and the side chapels vaulted with barrel vaults, of which those in the chapels are enriched with elaborate strapwork.

This latter may be of various types, such as flowers, foliage, figures, animals, geometrical forms, interlacing strapwork, quatrefoils, &c., &c.; perhaps several of these motifs may be combined together in the same design. One of the simplest plans upon which a pattern can be arranged is that of some form recurring at regular intervals over the surface.

A simple pediment rises above the four central figures, surmounted by a crucifix and containing a carving of a sun on a strapwork shield. The whole is of granite and the figures and mouldings are distinctly rude, and yet it is eminently picturesque and original, and shows that Lopez was a skilled designer if but a poor sculptor. Coming now to the basilican churches.

This attic is panelled, and on it stand obelisk-bearing pedestals, one above each column, and between them pediments of strapwork.

These support the main entablature whose cornice and frieze are enriched, the one with egg and tongue and with dentils, and the other with strapwork and with leaves. In the spandrils above the arch are medallions surrounding the heads of St. Peter and of St. Paul, St. Peter being especially expressive.

Inside, the background of each tomb recess is covered with strapwork, surrounding in one case an open and in another a blank window, but unfortunately the reredos representing the Visit of the Magi is gone, and its place taken by a very poor picture of Our Lady of Lourdes.