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He continues in the same way right to the end, looking for the identity of the sounds and performing an exercise of pairing similar to that already done in the case of the sound-boxes, the colors, etc.
It is the abdomen itself which, by rising and falling, opens or closes the doors of the "church." When the abdomen is lowered the dampers exactly cover the chapels as well as the windows of the sound-boxes. The sound is then muted, muffled, diminished. When the abdomen rises the chapels are open, the windows unobstructed, and the sound acquires its full volume.
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