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Von Bulow says the "figure must be treated as a double triplet twice three and not three times two as indicated in the first two bars." Klindworth makes the group a sextolet. Von Bulow has set forth numerous directions in fingering and phrasing, giving the exact number of notes in the bass trill at the end. Kullak uses the most ingenious fingering.
The same authority recommends slow staccato practice, with the lid of the piano closed. Then the hurly-burly of tone will not intoxicate the player and submerge his critical faculty. Each editor has his notion of the phrasing of the initial sixteenths. Klindworth fingers this passage more ingeniously, but phrases it about the same, omitting the sextolet mark. Kullak retains it.
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