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Many foreigners had assembled in Florence, some painters, some sculptors, and others goldsmiths; and they were invited by the Consuls to give judgment on these works, together with the other men of that profession who lived in Florence. They numbered thirty-four in all, each well experienced in his own art.

The architect has no right, as we said before, to require of us a picture of Titian's in order to complete his design; neither has he the right to calculate on the co-operation of perfect sculptors, in subordinate capacities.

To our L. is a masterpiece of the French renaissance, the tomb by Lescot and Pilon of Henry II. and Catherine de' Medici, who are represented twice, as in the monument to Louis XII. We ascend the steps to the ambulatory and below, to our L., are summarily shown some important Valois tombs: Philippe de Valois, John II., Charles V. and others, by contemporary sculptors, such as Andrieu Beaunepveu and Pierre de Chelles all of great interest to the traveller but utterly impossible of appreciation under the cursory glance permitted by the vergers.

Without great labor it is impossible to progress. Without labor on the part of those who conduct all great industries of life, of those who battle with the obstacles of the sea, on the part of the inventors, the discoverers, and the brave, heroic thinkers, no surplus is produced; and from the surplus produced by labor, spring the schools and universities, the painters, the sculptors, the poets, the hopes, the loves and the aspirations of the world.

In our little lives we see indeed but the very small changes, but by these we learn how greater ones have been brought about, and how we owe the outline of all our beautiful scenery, with its hills and valleys, its mountains and plains, its cliffs and caverns, its quiet nooks and its grand rugged precipices, to the work of the "Two great sculptors, Water and Ice." Week 16 Lecture VI

Vasari states it as a fact that all the most celebrated sculptors and painters had become excellent and illustrious by studying Masaccio's work in this chapel, and there is good reason to believe that Michelangelo and Raphael profited by their studies there, without mentioning all the names enumerated by Vasari.

We worship God in great temples in services of song. Sermons are never heard. "'In this city the great designers live, also the men who work at the deep problems of life and thought and matter; and the sculptors. It is the next largest city to Scandor. Scandor is far away. I never saw it. Glass work is done here and throughout Mars.

Now we often in the Christian life deal with ourselves as if we were painters and sculptors, not as if we were mirrors: we hammer and chisel away at ourselves to bring out some resemblance to Christ in some particulars, thinking that we can do it piecemeal; we might as well try to feed up our body piecemeal; we might as well try to make our eye bright without giving our cheek colour and our hands strength.

"Thee the sculptors all pursuing, Have embodied but their own; Round their visions, form enduring, Marble vestments thou hast thrown; But thyself, in silence winding, Thou hast kept eternally; Thee they found not, many finding I have found thee: wake for me." As I sang, I looked earnestly at the face so vaguely revealed before me.

Longfellow laughed heartily at this, saying, "I suppose Miss Stebbins did the same, and that is how it came about. Our sculptors should be careful how they put themselves in the devil's place. Rev. Mr. Longfellow and the ladies now came in, and as it was late I shook hands with them all. It is reported that when Mr.