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We shall not choose a Madonna for illustration, but another of Giotto's masterpieces, remembering that good as he was in his time, he seems amazingly bad compared with those who came after him. In 1303 a certain Enrico Scrovegno had a private chapel built in the Arena at Padua and he sent for Giotto to come there and adorn the whole of its walls and ceiling with frescoes.
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