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No wonder that Schiller in revising for the stage decided to let Leonora live rather than provide for her death by such a stagy tour de force. In the stage version, however, she does not reappear after the parting scene, and so we are left to wonder why she was introduced at all.

It came this time from Denmark. The Danish author Baggesen had visited Jena the previous year and returned home a fervid admirer of Schiller. At Copenhagen he had imparted his enthusiasm to Count Schimmelmann and the Duke of Holstein-Augustenburg, who, with their wives, proceeded to found a sort of Schiller-sect.

It was in this garden that Schiller placed the little drama he describes in Der Handschuh. Schiller gives the Spanish version of the story, where the gallant smacks the lady's face with the glove he had retrieved for her from among the lions, and then struts away for evermore.

His very arrangement of his materials, his distribution of lights and shades, his selection of the matters to be recorded and commented upon, will involve a subjective coloring of his narrative. This being so, one cannot reasonably criticize Schiller for having his point of view, but only for taking too little trouble in the gathering and verification of his facts.

We laugh at cold and bad weather, and are so strong and hearty that I shouldn't be surprised if I saw Webster and Everett flying round the Common on the new-fashioned velocipedes, for they believed in exercise. Goethe and Schiller often step over from De Vries's window, to flirt with the goddesses, who come down from their niches on Horticultural Hall.

And so it came about that the first number of the Horen was largely made up of rather abstruse reading. Schiller did not fully realize that the philosophy on which he had been feeding with satisfaction for three years was not a palatable diet for the general literary public.

The persecution which followed exhibits such extraordinary exertions of despotism, even for that land of irresponsible power, that we must presume the duke to have relied more upon the hold which he had upon Schiller through his affection for parents so absolutely dependent on his highness's power, than upon any laws, good or bad, which he could have pleaded as his warrant.

Nevertheless, under the influence of the revival of ancient art which arose with Winckelmann towards the close of the last century, a gospel of esthetics was preached. Its apostles were chiefly Germans, and among them Schiller and Goethe are not inconspicuous names.

Sturdy reserve characterizes it that reserve which forbids the peasant to show his feelings under the stress of the greatest emotion. Uhland does not carry his feelings to market; like Schiller, he is not a love poet. There is no display, no self-analysis, no self-exaltation, no amalgamation of self with nature.

The proper study of young man is young woman. I haven't been able to meet any young ladies in this country. Sometimes I think they have only wenches. And I want some of the classic Gayty and Schiller stuff too that you can get here in Loschwitz." This urgent idea did not appear auspicious to Gard. If Deming got the run of Villa Elsa, he would unsettle things, interfere with his own work.