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And then Lockley stood with his back to the rocket's lower parts, and he waved the cheese grater derisively and shouted. Then there was stillness. Only the booming voice from the speakers went on. It happened to be Sattell's voice. " ... all right. It's perfectly all right. When you understand you'll realize that you had to be deceived as I was. It was necessary. Come out and everything "

If so, Sattell had profited by less than two days' pay for wiping out everything that Pop possessed. But Pop wanted it back. He couldn't prove Sattell's guilt. There was no evidence. In any case, he didn't really want Sattell to die. If he did, there'd be no way to recover more lost memories. Sometimes, in the shack on the far side of the Moon, Pop Young had odd fancies about Sattell.

It was the tension that space-travel then, at its beginning produced. It was meaningless savagery due to terror. But, of course, Pop was helpless to resent it. There were no weapons on the Moon and the mention of Sattell's name showed the uselessness of bluff. He'd pictured the complete set-up by the edge of the Big Crack. Pop could do nothing. The red-headed man checked himself, panting.

And Sattell's voice boomed against the hills. "Vale's right, Lockley! I didn't know what was up. I was fooled as much as anybody. But it's all right! It's perfectly all right! When you understand you'll realize that you had to be deceived just as I was. Come on out and everything will be explained to your satisfaction. I promise!" Lockley grimaced. How did Sattell get up here?

Sattell's associates had had to steal or somehow get the fuel, and somehow find a pilot. But there were diamonds worth at least five million dollars waiting for them, and the whole job might not have called for more than two men with Sattell as a third. According to the economics of crime, it was feasible. Anyhow it was being done.

Pop reached the rocket. He climbed the welded ladder-rungs to the air lock. He closed the door. Air whined. His suit sagged against his body. He took off his helmet. When the red-headed man opened the inner door, the hand-weapon shook and trembled. Pop said calmly: "Now I've got to go handle the hoist, if Sattell's coming up from the mine. If I don't do it, he don't come up."

He knew that someone or something had picked up Vale's communicator. More squeakings, somehow querulous. Then something pounded the communicator on the ground. There was a crash. Then silence. Almost calmly Lockley swung his instrument around and lined it up for Sattell's post. He called in a steady voice until Sattell answered.

Jill was there and he would feel ashamed for all time if he acted like a sensible man and got to safety as he was ordered. Miles along the highway, something occurred to him. The base line instrument had to be aimed exactly right for Vale or Sattell to pick up his voice as carried by its beam. Vale's or Sattell's instruments had to be aimed as accurately to convey their voices to him.