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However, it is well to remember that nature is neither good nor bad, neither altruistic nor egoistic, and that it operates through the human psyche as well as through crystals and plants and animals with the same inexorable laws. Sacher-Masoch was the poet of the anomaly now generally known as masochism.
And the curious interrelation between cruelty and sex, again and again, creeps into literature. Sacher-Masoch has not created anything new in this. He has simply taken an ancient motive and developed it frankly and consciously, until, it seems, there is nothing further to say on the subject. To the violent attacks which his books met he replied in a polemical work, Über den Wert der Kritik.
There is a form of sexual perversion in which the pervert takes delight in being subjected to degrading, humiliating, and cruel acts on the part of his or her associate. It was named masochism from Sacher-Masoch, an Austrian novelist, whose works describe this form of perversion.
Leopold von Sacher-Masoch was born in Lemberg, Austrian Galicia, on January 27, 1836. He studied jurisprudence at Prague and Graz, and in 1857 became a teacher at the latter university. He published several historical works, but soon gave up his academic career to devote himself wholly to literature.
Similarly in Germany, Wanda von Sacher-Masoch, who had suffered much from marriage, whatever her own defects of character may have been, writes at the end of Meine Lebensbeichte that "as long as women have not the courage to regulate, without State-interference or Church-interference, relationships which concern themselves alone, they will not be free."
As a creative artist Sacher-Masoch was, of course, on the quest for the absolute, and sometimes, when impulses in the human being assume an abnormal or exaggerated form, there is just for a moment a flash that gives a glimpse of the thing in itself.
Besides, the truth would not have brought her back, poor little Silvia! In these days of pessimism in literature, when Tourgueneff and Sacher-Masoch represent man as the victim of blind Chance and annihilation his greatest happiness, it is pleasant to turn to a writer who still believes in God, his country and the family, and recognizes an overruling Providence that directs the world.
In like manner we may recognize the striking similarity but only in so far as the external form is concerned discoverable in those short-stories which are as abundant as they are important in every modern literature; and yet much of our delight in these brief studies from life is due to the pungency of their local flavor, whether they were written by Kjelland or by Sacher-Masoch, by Auerbach or by Daudet, by Barrie or by Bret Harte.
Tourgéneff, Björnsen, Sacher-Masoch, Freytag, Lindau, are the names which one recalls at once and without effort as masters in the art and mystery of the Short-story. Tourgéneff's Short-stories, in particular, it would be difficult to commend too warmly. But it is in France that the Short-story flourishes most abundantly.
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