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Statues, frieze, spandrels, parapet, identical with Arch of Rising Sun. Group on top, "The Nations of the West," designed by Calder, executed in collaboration with Lentelli and Roth. American figures grouped around prairie wagon, drawn by two oxen.
They used a very broad “a” and served tea at four o’clock in the afternoon. Gordon Roth was a Harvard graduate and did not conceal the fact. Neither did he conceal his hatred for this sandy little western town, where ill-health had doomed him to spend many of his days and perhaps to end them. The girl was strangely different from her mother and brother.
In regard to those works which the labels make self-explanatory, no comment is added, unless to call attention to some special quality which the unpracticed eye might miss. Where the symbolism or "story" is obscure, an explanation is given. South of the lagoon are: 1. Sea Lions by Frederick G. R. Roth. 2. The Scout by Cyrus E. Dallin. Wind and Spray fountain, by Anna Coleman Ladd. 4.
We’re talking about Julia Roth, same as everybody else.…” “Who’s she?” Ramon queried coolly, discharging a cloud of smoke from the depths of his lungs. “Never heard of her.” “Well, she’s our latest social sensation … sister of some rich lunger that recently hit town; therefore very important. But that’s not the only reason. Wait till you see her.”
However, near Dwarf Well we found one of uncommon shape; and until reading a book on a Queensland tribe I was unaware of its use, nor could I find any one who had seen one of like shape. Mr. W. Roth, in his "Ethnological Studies Among the North-West Central Queensland Aborigines," says:
In the center of this well-balanced pyramidal group, surmounted by Enterprise and drawn by sturdy oxen, comes the old prairie schooner. To right and left atop are seen the Heroes of Tomorrow one a white boy, the other a negro type. In front marches the splendid Mother of Tomorrow. The Nations of the Orient A. Stirling Calder, Frederick Roth, Leo Lentelli, Sculptors
As to the destruction of a temple dedicated to the pretended idol Roth, I think I have proved in an other work , first, that there never existed an idol of that name, neither was the temple situated on the ground occupied by the church of Saint-Lo; secondly, that this temple was demolished by Saint-Romain, nearly four hundred years later.
There is general agreement that the one author to whom at least the great bulk of the Gathas is due is Zarathustra himself. Roth, L.H. Mills, and other scholars date the Gathas as they would the Vedas, somewhere between B.C. 1200 and 1500, and they therefore fix upon the same date for the work of Zarathustra himself. GATHA I, Yasnas 28-34, 29, which is earlier than 28.
He started; then, perceiving who it was, he withdrew his hand with a wrench, and turned away: which hurt me. "You are the son," said he, "of the woman who died, are you not?" I was more abashed than ever and wished I had not been so bold. "I'm Davy Roth, zur," I whispered, for I was much afraid. "My mother's dead an' buried, zur." "I saw you," said he, "in the room that night."
Friedrich perceived that Roth would not yield; that the utter smashing-down of Neisse might more concern Friedrich than Roth; that, in fine, it would be better to desist till the weather altered. Next day, "Monday, 23d, between noon and 1 o'clock," the Prussians drew back; converted the siege into a blockade.
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