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I am a sportsman, and I will not leave the field till all the hunt be over. I seem a trifler, yet I have persistency. I am no romanticist, I have no great admiration for myself, and yet when I set out to hunt a woman honestly, be sure I shall never back to kennel till she is mine or I am done for utterly. Not by worth nor by deserving, but by unending patience and diligence that shall be my motto.

It was the old story. "I lisped in numbers, for the numbers came." My first lisp the first poem I ever wrote of all the odd things in the world was a diminutive satire in the style of Pope. Throughout my boyhood I was an intense romanticist, and full of Elizabethan fancies, imaginings. and even melancholies I use the word, of course, in the sense of Burton, or of Shakespeare.

To-morrow New York would have been indeed the city of unrest." Phineas Duge turned upon him coldly. "You," he said, "are one of those unpractical persons, who bring to the affairs of a purely utilitarian epoch the 'fainéant' scruples of the dilettante and romanticist. You cannot regulate the flow of wealth any more than you can dam a river with shifting sand.

It is a question of temperamental antecedent motive in the artist, and nothing more. Realist Romanticist! Enlightenment Delight! That is the true apposition. To make a revelation to tell a fairy-tale! And either of these artists may use what form he likes naturalistic, fantastic, poetic, impressionistic.

Nor was he able to win great success with his first book of importance, Le Petit Chose, delightful as that mixture of autobiography and romance must prove to any sympathetic reader. He was essentially a romanticist and a poet cast upon an age of naturalism and prose, and he needed years of training and such experience as the Prussian invasion gave him to adjust himself to his life-work.

To such degenerate romance, Professor Brander Matthews has applied the term "romanticism"; and though his use of the term itself may be considered a little too special for general currency, no exception can be taken to the distinction which he enforces in the following paragraph: "The Romantic calls up the idea of something primary, spontaneous, and perhaps medieval, while the Romanticist suggests something secondary, conscious, and of recent fabrication.

Here he became acquainted with Coleridge; and Southey, who had practised verse from early boyhood, and acquired a strong taste for the drama, being also an ardent republican and romanticist, was easily enlisted by the elder poet in his scheme for a model republic, or "Pantisocracy," in the wilds of America.

And, to cap the climax, the ear of the musical Romanticist of our day has become quite accustomed also to hear in D-minor devilish rage and revengeful fury, as well as all sorts of demoniacal terror and dreadful, midnight, musical vampirism, as, for example, we find the Queen of Night giving vent in D-minor to the "hellish revenge" which boils in her heart, and in the Freischütz hell triumphs in D-minor.

To Stevenson and to the romanticist generally, a hansom cab-driver is a mystery behind whose apparent commonplaceness lie magic possibilities beyond all telling; not one but may be the agent of the Prince of Bohemia, ready to drive you off to some mad and magic adventure in a street which is just as commonplace to the outward eye as the cab-driver himself, but which implicates by its very deceitful commonness whole volumes of romance.

The tossing of abuse from realist to romanticist and back is but the sword-play of two one-eyed men with their blind side turned toward each other. Shall not each attempt be judged on its own merits?