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Yet, a year later, he married Cosima, one of the girls whose "superiority" so annoyed him. How strange, in view of what happened later, that Von Bülow so planned his wedding trip that its main objective was a visit to Zurich in order that he might present Cosima to Wagner, who had not seen her since she had formed one of his audience at the "Rheingold" reading in Paris.

I awoke in sudden terror from my doze, feeling as though the waves were rushing high above my head. I at once recognised that the orchestral overture to the Rheingold, which must long have lain latent within me, though it had been unable to find definite form, had at last been revealed to me.

soft horns and wood, echoed and answered in close pursuit, lead to a mood of placid, elemental rhythm, with something of "Rheingold," of "Ossian" ballad, of the lapping waves of Cherubini's "Anacreon." In the midst the horns blow a line of sonorous melody, where the cadence has a breath of primal legend. On the song runs, ever mid the elemental motion, to a resonant height and dies away as before.

Then, whoever would have imagined for a moment that the next year we would be celebrating in Berlin dinner at the Café Rheingold, with wine! The fourth anniversary was at Heidelberg one of the red-letter days, as I look back upon those magic years. We left home early, with our lunch, which we ate on a bed of dry leaves in a fairy birch forest back and a good ways up in the Odenwald.

Cornelius had a pretty gift for humorous orchestration, and his accompaniments often anticipate the dainty effects of 'Die Meistersinger. 'Das Rheingold' being still unwritten in 1858, it would be too much to expect a systematised use of guiding themes, but they are often employed with consummate skill, and in the Muezzin scene the music of the call to prayer forms the basis of a symphonic passage, which is thoroughly in the style of Wagner's later works.

Amid privations of all sorts, he wrote the sublime music of these dramas, beginning with "Rheingold," on Nov. 1, 1853, the first time he had put new operatic melodies on paper since the completion of "Lohengrin," in August, 1847.

He immediately approached me with the request to be allowed to make a pianoforte arrangement of the score of Rheingold, for the use only of virtuosi of the first rank. Unfortunately, he was overtaken by a tedious illness, which robbed me for a long time of the desired intercourse with him.

"Wise man," commented the officer; "and so, disheartened, I suppose, you returned here?" "No, Lieutenant; the day has been warm, and I have traveled a good deal. I went from the merchant's house to the Rheingold tavern, there to drink a tankard of wine with my comrades, a score of men who have formed what they call the ironworkers' guild.

She could not keep herself still for a moment. Either she was sending laughing signals to an elderly man near her, presumably her father, or chattering at top speed with another girl of her own age, or gathering her whole graceful body into a gesture of delight as the familiar Rheingold music passed from one lovely motif to another.

"He came to the steps of the Rheingold, a disreputable drinking cellar, and disappeared from my sight down its steps. A great shout greeted him, and the rattle of tankards on a table, as he joined what was evidently his coterie. Standing outside, I heard song and ribaldry within.